It’s not even a month since we lost the great William Friedkin. He made history as one of the leading directors of the ‘New Hollywood’,... Read More
Roberto Ruggio
Bertrand Bonello has proven to be one of France’s most interesting, unconventional and sometimes idiosyncratic directors. He shocked the film world with Nocturama and Saint... Read More
“History repeats itself, first as tragedy, second as farce.” -Karl Marx There’s certainly no more controversial figure in Chile than that of dictator Augusto Pinochet.... Read More
It’s November 2013, and in the small town of Berck-sur-mer, in northern France, a 15-month old baby is found dead on a beach. It’s a... Read More
Florian Zeller’s stage trilogy about parent-child relationships and the devastating consequences of mental illness was one of the biggest surprises in the theater world of... Read More
Our lives can sometimes be impacted by irreparable trauma, and even though we heal from it, it will leave us scarred. A parent’s rejection of... Read More
Filmmakers often use cinema to tell personal stories, sometimes stories straight from their own childhood. Recently we’ve seen Alfonso Cuarón, Paolo Sorrentino, Kenneth Branagh, Steven... Read More
‘Don’t Worry Darling’ review: Be ready to witness a spectacular disaster [C-] | Venice Film Festival
‘Don’t Worry Darling’ review: Be ready to witness a spectacular disaster [C-] | Venice Film Festival
Throughout the story of the United States, there has often been called the ‘American Dream.’ Beyond the obvious rags-to-riches story, what is materially the American... Read More
We watch movies because we seek entertainment, but at the same time we watch them because we want to be reassured that our world views... Read More
We may try to grasp history with our hands, but it always finds a way out of our control. How can we imagine catching it,... Read More

‘The Caine Mutiny Court-Martial’ Review: William Friedkin’s Final Film is Supported by a Sensational Company of Actors | Venice
‘The Beast’ Review: Léa Seydoux and George MacKay Cross Space and Time in Bonello’s Genre-Bending Romance | Venice
‘El Conde’ Review: Larrain’s Brilliant and Twisted Satire About Fascism Has Bite | Venice
‘Saint Omer’ review: Alice Diop’s affecting story about motherhood is a stunner [A] | Venice Film Festival
‘The Son’ review: Florian Zeller’s sophomore effort disappoints despite a great Hugh Jackman [C+] | Venice Film Festival
‘Monica’ review: Trace Lysette is a revelation in Andrea Pallaoro’s delicate story of family and acceptance [B+] | Venice Film Festival
‘L’immensità’ review: A solid performance from Penélope Cruz doesn’t save Emanuele Crialese’s broadly drawn family drama [C+] | Venice Film Festival
‘The Whale’ review: Brendan Fraser’s incredible performance anchors a cathartic, emotional powerhouse [A] | Venice Film Festival
‘Argentina, 1985’: A great lead performance saves a flawed historical courtroom drama [B-] | Venice Film Festival
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10