Céline Sciamma has a tradition with names. Water Lilies‘ Marie, Girlhood‘s Marieme, and Portrait of a Lady on Fire‘s Marianne all share variants of the... Read More
Sarah Williams
Sarah is a freelance film writer who loves Portrait of a Lady on Fire, empathetic foreign cinema, experimental films that give you headaches, but mainly just Portrait of a Lady on Fire. She is currently directing her first feature film, which feels like it’ll never be finished (still isn't), and will be the first to reclaim New French Extremity classic Martyrs as a feminist film (ironically or not, we shall not know). You can find her on Twitter @newsfrmhome.
The 2020 César Awards marked a fiery end to awards season, and not just with the burning torches angrily waved outside the ceremony. After Roman... Read More

Berlin Review: Céline Sciamma’s ‘Petite Maman’ starts a tender new chapter in a life cycle of girlhood
What Happened at the César Awards Was a Setup For Silence
76th Berlin Film Festival Awards: ‘Yellow Letters’ Wins Golden Bear for Best Film; ‘Queen at Sea’ Nabs Two Among Festival Unrest Over Politics
‘Flies (Moscas)’ Review: To Be a Fly on the Wall is to See All in Fernando Eimbcke’s Quiet Family Drama [B-] Berlinale
‘The Blood Countess’ Review: Isabelle Huppert’s Glamorous Vampire Mother Rises Above Baroque Bungle [C-] Berlinale
Irish Film & Television Academy (IFTA) Awards: ‘Hamnet’ Tops Wins, ‘Christy’ Nabs Best Irish Film