Sarah Williams

Sarah is a freelance film writer who loves Portrait of a Lady on Fire, empathetic foreign cinema, experimental films that give you headaches, but mainly just Portrait of a Lady on Fire. She is currently directing her first feature film, which feels like it’ll never be finished (still isn't), and will be the first to reclaim New French Extremity classic Martyrs as a feminist film (ironically or not, we shall not know). You can find her on Twitter @newsfrmhome.

Berlin Review: Céline Sciamma’s ‘Petite Maman’ starts a tender new chapter in a life cycle of girlhood

Céline Sciamma has a tradition with names. Water Lilies' Marie, Girlhood's Marieme, and Portrait of a Lady on Fire's Marianne… Read More

March 3, 2021

What Happened at the César Awards Was a Setup For Silence

https://www.youtube.com/watch?v=unPWZGCKcog The 2020 César Awards marked a fiery end to awards season, and not just with the burning torches angrily… Read More

February 29, 2020

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