Love, the second film in Norwegian writer-director Dag Johan Haugerud’s trilogy exploring human connections (Sex premiered this year at the… Read More
Stranger Eyes by Yeo Siew Hua has already made history as Venice’s first ever Golden Lion contender hailing from Singapore,… Read More
Pierre (Vincent Lindon) is a fifty-something single father who works night shifts for the SNCF (the French railway) as a… Read More
The harsh sound of glass breaking.“Shit!,” we hear a woman exclaim while the opening scene soars over night-time Manhattan. Blinds… Read More
Even though he has been working in the biopic genre for a while now (NO, Neruda, Jackie, Spencer), Chilean director… Read More
British filmmaker Andrea Arnold has always been interested in humans: the way they live, love, and carry their wounds through… Read More
Not every girl wants to be somebody’s princess, but anyone who does, should be given the opportunity. This is not… Read More
We love it when a prominent auteur uses cinema to take stock of time passed and the remaining time; to… Read More
Iranian-Danish director Ali Abbasi is really going against the grain of auteurism. His last three films have all premiered in… Read More
A Venice mainstay himself, Schrader premiered his newest chamber piece, Oh Canada in this year’s Cannes Competition and after The… Read More
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