What’s a year without a Hong Sang-soo film? Does a film festival even exist, if it does not feature a regular slot for the prolific... Read More
Savina Petkova
Three devastatingly attractive people are sitting at a bar: who are they? Or more importantly, who are they to each other? This initial curiosity bordering... Read More
The Wound, the acclaimed debut by the South African director John Trengove, provides a good launchpad for his sophomore feature, with Xhosa initiation traditions swapped... Read More
Playwright Tina Satter makes her screen debut with Reality, a simmering investigative drama reconstructing the arrest of Reality Winner, an NSA contractor and ex-Air Force... Read More
American indie favorite Dustin Guy Defa returns to Berlinale with a feature almost a decade after his short film Person to Person screened fresh out... Read More
BlackBerry, the follow-up to his 2016 docu-fiction Operation Avalanche, sees actor-director Matt Johnson put inventors, investors, and the internet to the test in a nostalgia-fueled... Read More
The origin story of Riley Keough and Gina Gammell’s feature debut, War Pony, coincides with the production of another film, Andrea Arnold’s 2016 Cannes Jury... Read More
What can we do with our fickle memories of childhood, especially the ones painting our parents with idealistic brush strokes, as if they were something... Read More
Trish (Margaret Qualley) is a journalist whose press card is being revoked and her stay in Nicaragua compromised, and her way of making ends meet... Read More
Polish filmmaker Agnieszka Smoczyńska returns to Cannes four years after her Fugue premiered in Semaine de la Critique (aka Critics Week), bringing the flair from... Read More
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