‘The End’ Review: It’s An End of the World Musical As We Know It (and It’s Not Fine) | Telluride
Stories observing the lives of the wealthy elite are ubiquitous in modern cinema. Whether the film is as daring and precise as Parasite or as... Read More
Sophia Ciminello
Sophia is a lifelong film enthusiast who considers herself a scholar of Best Actress winners, the films of Paul Thomas Anderson, and 1970s cinema. She hosts and produces the podcast "Oscar Wild," where she celebrates her love of cinema with retrospectives, deep dives on all 23 Oscar categories, and interviews with directors and creatives. She thanks her mother for her love of Old Hollywood and her father for letting her stay up late to watch the Oscars when she was in preschool. Her favorite Best Picture winners are All About Eve and Ordinary People. You can follow her on Twitter @sophia_cim.
‘Nickel Boys’ Review: RaMell Ross’ Audacious Colson Whitehead Adaptation is a New American Masterpiece | Telluride
Colson Whitehead’s Pulitzer Prize-winning novel, “The Nickel Boys,” begins with an arresting line: “Even in death, the boys were trouble.” When archaeology students unearthed dozens... Read More
Interview: Jon Hamm on What it Means to Be “Minnesota Nice” and Dismantling the American Western in ‘Fargo’
It’s difficult to think of American iconography without recalling one of Jon Hamm’s signature projects, Mad Men. Over seven seasons, Hamm portrayed Don Draper, one... Read More
‘Alien: Romulus’ Review: Fede Álvarez’s ‘Alien’ Sequel is a Sometimes Thrilling, Yet Synthetic Greatest Hits Album
Forty-five years ago, Ridley Scott’s Alien completely changed the game for science fiction filmmaking. It combined aspects of the B-movies of the 1960s with the... Read More
‘Industry’ Season 3 Review: It’s Time to Buy Stock in HBO’s Sexy, Live Wire Finance Drama
When HBO’s Industry premiered in late 2020, it felt like Gen Z’s Succession with a little Skins in the game. It was a fresh and... Read More
Gentlemen Prefer Blondes: The Invention and Deconstruction of the Femme Fatale in ‘Double Indemnity’ (1944) and ‘Chinatown’ (1974) [Retrospective]
I. My Sister/My Daughter When I reflect on the films that truly shaped my taste, it’s impossible not to think of Double Indemnity and Chinatown.... Read More
Interview: Julianne Nicholson and Zoe Ziegler on Annie Baker’s Magical Mother-Daughter Directorial Debut, ‘Janet Planet’
Summer movies often bring to mind images from big, loud action blockbusters or zippy and bright family films. But what truly makes a perfect summer... Read More
‘Back to Black’ Review: You Know That This Amy Winehouse Biopic is No Good
It’s hard to forget the first time you hear a voice like Amy Winehouse’s, especially as a teenage girl in the early aughts. It was... Read More
‘Drive-Away Dolls’ Review: Margaret Qualley and Geraldine Viswanathan Hit the Road in Ethan Coen’s Raunchy and Rowdy B-Movie
When two acclaimed artists in a partnership split creatively, their first solo projects are often indicative of their individual input in their prior collaborations as... Read More
‘Lisa Frankenstein’ Review: Chivalry is Undead in Zelda Williams and Diablo Cody’s ‘80s-Set Coming-of-Age Horror Comedy
It’s a thought that has plagued anyone who has ever been interested in a man: “I can fix him.” Whether he’s emotionally unavailable or physically... Read More
‘Sinners’ Dominates Society of LGBTQ Entertainment Critics Dorian Awards; Rose Byrne, Amy Madigan Win Acting Prizes 
FINAL 2026 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT, LIVE ACTION SHORT 
29th Sonoma International Film Festival (SIFF): ‘Poetic License,’ ‘I Swear,’ Conversations with Julian Schnabel, Barry Jenkins and Lulu Wang 
FINAL 2026 Oscar Predictions: BEST ACTRESS