Forty-five years ago, Ridley Scott’s Alien completely changed the game for science fiction filmmaking. It combined aspects of the B-movies of the 1960s with the... Read More
Sophia Ciminello
Sophia is a lifelong film enthusiast who considers herself a scholar of Best Actress winners, the films of Paul Thomas Anderson, and 1970s cinema. She hosts and produces the podcast "Oscar Wild," where she celebrates her love of cinema with retrospectives, deep dives on all 23 Oscar categories, and interviews with directors and creatives. She thanks her mother for her love of Old Hollywood and her father for letting her stay up late to watch the Oscars when she was in preschool. Her favorite Best Picture winners are All About Eve and Ordinary People. You can follow her on Twitter @sophia_cim.
When HBO’s Industry premiered in late 2020, it felt like Gen Z’s Succession with a little Skins in the game. It was a fresh and... Read More
I. My Sister/My Daughter When I reflect on the films that truly shaped my taste, it’s impossible not to think of Double Indemnity and Chinatown.... Read More
Summer movies often bring to mind images from big, loud action blockbusters or zippy and bright family films. But what truly makes a perfect summer... Read More
It’s hard to forget the first time you hear a voice like Amy Winehouse’s, especially as a teenage girl in the early aughts. It was... Read More
When two acclaimed artists in a partnership split creatively, their first solo projects are often indicative of their individual input in their prior collaborations as... Read More
It’s a thought that has plagued anyone who has ever been interested in a man: “I can fix him.” Whether he’s emotionally unavailable or physically... Read More
Early in Ava DuVernay’s remarkable new film Origin, Pulitzer Prize-winning writer Isabel Wilkerson (a transcendent Aunjanue Ellis-Taylor) listens to a recording of the 911 call... Read More
On the theatrical release date of Martin Scorsese’s latest film, Killers of the Flower Moon, Lily Gladstone walked the picket line in Times Square. It... Read More
Before production designer Jack Fisk was the legendary artisan he is now, he was a young art school graduate in his twenties working as the... Read More

‘Alien: Romulus’ Review: Fede Álvarez’s ‘Alien’ Sequel is a Sometimes Thrilling, Yet Synthetic Greatest Hits Album
‘Industry’ Season 3 Review: It’s Time to Buy Stock in HBO’s Sexy, Live Wire Finance Drama
Gentlemen Prefer Blondes: The Invention and Deconstruction of the Femme Fatale in ‘Double Indemnity’ (1944) and ‘Chinatown’ (1974) [Retrospective]
Interview: Julianne Nicholson and Zoe Ziegler on Annie Baker’s Magical Mother-Daughter Directorial Debut, ‘Janet Planet’
‘Back to Black’ Review: You Know That This Amy Winehouse Biopic is No Good
‘Drive-Away Dolls’ Review: Margaret Qualley and Geraldine Viswanathan Hit the Road in Ethan Coen’s Raunchy and Rowdy B-Movie
‘Lisa Frankenstein’ Review: Chivalry is Undead in Zelda Williams and Diablo Cody’s ‘80s-Set Coming-of-Age Horror Comedy
Interview: Aunjanue Ellis-Taylor on Collaborating with Ava DuVernay, Meeting the Moment, and Playing a Journalistic Indiana Jones
Interview: Lily Gladstone on Building a “Trickster Noir” with Martin Scorsese and Tapping into her Family’s History to Create a Portrait of Mollie Burkhart
Interview: Legendary Production Designer Jack Fisk on Building a Town in Osage County, Creating Spaces for Actors, and Collaborating with Martin Scorsese on ‘Killers of the Flower Moon’
How Editor Andy Jurgensen Found the Right Balance of Tone and Momentum for ‘One Battle After Another’ [VIDEO INTERVIEW]
68th Grammy Awards: Bad Bunny Makes History with Album of the Year, Kendrick Lamar Takes the Most Wins
London Critics’ Circle (LCC) Awards: ‘One Battle After Another’ Takes Film, Director, Screenwriting, Supporting Actor Wins
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’