‘Spider-Man: Across the Spider-Verse’ review: The shape-shifting sequel pulls you into its wondrous web
Let’s do things differently this time. It’s a line spoken by the punk little drummer girl of a Spider-Woman, Gwen Stacy (Hailee Steinfeld), who opens... Read More
Sophia Ciminello
Sophia is a lifelong film enthusiast who considers herself a scholar of Best Actress winners, the films of Paul Thomas Anderson, and 1970s cinema. She hosts and produces the podcast "Oscar Wild," where she celebrates her love of cinema with retrospectives, deep dives on all 23 Oscar categories, and interviews with directors and creatives. She thanks her mother for her love of Old Hollywood and her father for letting her stay up late to watch the Oscars when she was in preschool. Her favorite Best Picture winners are All About Eve and Ordinary People. You can follow her on Twitter @sophia_cim.
‘The Little Mermaid’ review: Halle Bailey’s star-making performance saves the latest Disney live-action remake from floundering
In his 1836 fairy tale, The Little Mermaid, Hans Christian Andersen states that “mermaids do not have tears, and therefore, they suffer more.” Rob Marshall... Read More
‘Book Club: The Next Chapter’ review – The fantastic foursome escapes to Italy in this messy romantic comedy
At the height of the pandemic, virtual gatherings and, yes, book clubs became places where people found solace amidst the chaos and isolation. Book Club:... Read More
‘Fatal Attraction’ (2023) review: An uninspired take on the classic erotic thriller can’t see the Forrest for the trees
When Alex Forrest (Glenn Close) told Dan Gallagher (Michael Douglas), “I’m not going to be IGNORED, Dan,” she was right. In 1987, Adrian Lyne’s erotic... Read More
‘Beau Is Afraid’ review: Joaquin Phoenix goes to hell in Ari Aster’s horrifying, hilarious Freudian odyssey
The first time a mother and son are separated from each other is painful yet inevitable. While childbirth is frequently considered a violent experience for... Read More
Interview: Antoneta Alamat Kusijanović on the power of resilience, thematic connections to ‘The Little Mermaid,’ and shooting ‘Murina’ by the sea
Antoneta Alamat Kusijanović understands the power and resilience of young women. Her short film, Into the Blue, follows a 13-year-old girl who flees her abusive... Read More
‘Magic Mike’s Last Dance’ review: We come to this place for Magic (Mike) and one final strip across the pond
Nicole Kidman’s AMC ad is a new kind of national anthem for moviegoers and people who are generally savvy when it comes to pop culture.... Read More
‘80 for Brady’ review: Four living legends take the ultimate girls trip to the gridiron in this heartfelt retirement comedy
Drinking tea, standing on a ladder, and purposefully knocking a bowl of chips over may seem like unnecessary tasks to complete at the start of... Read More
Interview: Production Designer Florencia Martin on recreating the architectural kaleidoscope of 1920s Los Angeles and the cinematic jewel boxes of ‘Babylon’
Florencia Martin knows Los Angeles. As a production designer, she recreated the suburban sprawl of the 1970s San Fernando Valley in Licorice Pizza and the... Read More
‘Babylon’ review: Here’s to the fools who dream; Damien Chazelle’s epitaph for cinema is the evil b-side to ‘La La Land’
When Mia begrudgingly attends a party at the start of Damien Chazelle’s magical, much-discussed film La La Land, she stares at her reflection in the... Read More
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers 
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc 
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978) 
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]