In last year’s conductor-focused, brilliantly layered New York Film Festival selection, TÁR, Todd Field depicts an interaction between maestro Lydia Tár and a possible conquest... Read More
Sophia Ciminello
Sophia is a lifelong film enthusiast who considers herself a scholar of Best Actress winners, the films of Paul Thomas Anderson, and 1970s cinema. She hosts and produces the podcast "Oscar Wild," where she celebrates her love of cinema with retrospectives, deep dives on all 23 Oscar categories, and interviews with directors and creatives. She thanks her mother for her love of Old Hollywood and her father for letting her stay up late to watch the Oscars when she was in preschool. Her favorite Best Picture winners are All About Eve and Ordinary People. You can follow her on Twitter @sophia_cim.
It’s 2065 in The Midwest. The climate crisis has ravaged the planet with floods, fires, and a slew of natural disasters. A piece of the... Read More
“I want to do this for a good feeling and for a bad one,” Flannery O’Connor declares in her short book The Prayer Journal. In... Read More
Opening a film with a roar of choral singers and stylized Old English titles thrusts the viewer into a very familiar, traditional English world. But... Read More
Known for crafting edge-of-your-seat documentaries (Free Solo, The Rescue), Elizabeth Chai Vasarhelyi and Jimmy Chin venture into uncharted territory with their first narrative feature, NYAD.... Read More
There is always an age when children wonder whether or not they’re a little too old to play with Barbies. For me, it came on... Read More
‘The Miracle Club’ Review: Time Heals All Wounds in a Charming, Clunky Tale of Grief and Forgiveness
‘The Miracle Club’ Review: Time Heals All Wounds in a Charming, Clunky Tale of Grief and Forgiveness
A certain sense of joy comes from watching veteran actresses play characters who embark on a journey to a bucket list destination in hopes of... Read More
Let’s do things differently this time. It’s a line spoken by the punk little drummer girl of a Spider-Woman, Gwen Stacy (Hailee Steinfeld), who opens... Read More
In his 1836 fairy tale, The Little Mermaid, Hans Christian Andersen states that “mermaids do not have tears, and therefore, they suffer more.” Rob Marshall... Read More
At the height of the pandemic, virtual gatherings and, yes, book clubs became places where people found solace amidst the chaos and isolation. Book Club:... Read More

‘Maestro’ Review: Bradley Cooper’s Upper West Side Story is a Stylish, Marital Melodrama | NYFF
‘Foe’ Review: Saoirse Ronan and Paul Mescal Fail to Launch Garth Davis’ Scenes from a Futuristic Marriage | NYFF
‘Wildcat’ Review: Ethan Hawke Channels Flannery O’Connor’s Singular Voice in this Moving, Meandering Passion Project | Telluride
‘Saltburn’ Review: Emerald Fennell Throws a Brilliant Bacchanal of Obsession, Repulsion, and Desire | Telluride
‘NYAD’ Review: Annette Bening and Jodie Foster Just Keep Swimming | Telluride
‘Barbie’ Review: Greta Gerwig’s Comedic Candy-Coated Fantasia Doubles as an Existential Epic About Being Alive
‘Spider-Man: Across the Spider-Verse’ review: The shape-shifting sequel pulls you into its wondrous web
‘The Little Mermaid’ review: Halle Bailey’s star-making performance saves the latest Disney live-action remake from floundering
‘Book Club: The Next Chapter’ review – The fantastic foursome escapes to Italy in this messy romantic comedy
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
‘The Bride!’ Review: Maggie Gyllenhaal Goes For Baroque in Messy, Misguided Post-Modern Monster Movie [D]
‘Sinners’ Dominates Society of LGBTQ Entertainment Critics Dorian Awards; Rose Byrne, Amy Madigan Win Acting Prizes
FINAL 2026 Oscar Predictions: ANIMATED SHORT, DOCUMENTARY SHORT, LIVE ACTION SHORT