‘Dead Man’s Wire’ Review: Gus Van Sant Crafts a Kinetic Dog Day Afternoon for Bill Skarsgård [B+] Venice
As he enters the office of Meridian Mortgages on a brisk February morning in 1977, Tony Kiritsis (Bill Skarsgård) is visibly on edge, despite the... Read More
Yasmine Kandil
‘Late Fame’ Review: Willem Dafoe and Greta Lee Sparkle in Kent Jones’s Fizzled Fable [C+] Venice
Sudden fame would feel unnatural for anyone—let alone Ed Saxberger, an aging post office worker turned native New Yorker. One evening, he returns home from... Read More
‘The Voice of Hind Rajab’ Review: Kaouther Ben Hania’s Harrowing Look at a Palestinian Genocide Flashpoint is the Most Indispensable Film of the Decade [A] Venice
In January of 2024, Hind Rajab was evacuating her home in the Tel al-Hawa neighbourhood of Gaza City, as ordered by Israeli forces, alongside six... Read More
‘Rose of Nevada’ Review: George MacKay and Callum Turner Get Spooked in Mark Jenkin’s Ghostly Fisherman Fable [A-] Venice
In Rose of Nevada, the sea does not simply serve as a backdrop but as a force of memory and fate. Mark Jenkin returns to... Read More
‘Young Mothers’ Review: The Dardennes Mine Emotional Trauma and Resilience of Teen Motherhood [B-] Cannes
Belgian brothers in both blood and cinema, Jean-Pierre and Luc Dardenne have long been masters of portraying the gritty realities of working-class life in their... Read More
‘Harvest’ Review: Transplanting English to Scottish Locales Does No Favors for Athina Rachel Tsangari’s Adapted Historical Tale | Venice
Two names come to mind on mention of filmmakers who found their feet in the Greek New Wave Cinema movement; Yorgos Lanthimos and Athina Rachel... Read More
‘Joker: Folie à Deux’ Review: Joaquin Phoenix and Lady Gaga Sing and Dance a Deranged Duet of Musical Mischief | Venice
Five years after Joker (2019) premiered at the Venice Film Festival, where it was awarded the top prize, director Todd Phillips and star Joaquin Phoenix... Read More
‘2073’ Review: Asif Kapadia Conjures a Taut Sci-Fi Thriller in a Post-Apocalyptic World | Venice
We often associate the term dystopia with films or novels, fictional stories detached to some degree from our reality, but perhaps we already reside within... Read More
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’ 
2026 Sundance Film Festival: ‘Josephine’ Wins Grand Jury Prize and Audience Award 
Director Watch Podcast Ep. 137 – ‘Je Tu Il Elle’ (Chantal Akerman, 1974) 
Midnight Critics Circle (MCC) Awards: ‘Marty Supreme’ Wins Best Picture