Categories: BAFTA

BAFTA Unveils New Category, Voting Rules and Eligibility for the 2025 EE BAFTA Film Awards

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BAFTA today confirmed the categories, eligibility, voting rules and timeline for the 2025 EE BAFTA Film Awards, including the introduction of a new Children’s and Family Film award, as entries for the 78th edition of the BAFTAs kick off today.

The new Children’s and Family Film award will celebrate the very best films appealing to inter-generational audiences. This is the first new category to be introduced to the EE BAFTA Film Awards in five years, following the introduction of a Casting award in 2020.

Numerous key changes and updates in voting and eligibility will go into effect this season. In the category of Best Film, films must be theatrically exhibited publicly for the first time on at least 50 commercial screens in the UK for at least seven days – the equivalent of at least 350 screenings. Previously, BAFTA mandated ten screenings per day for seven days to be eligible. BAFTA film voters will now determine the Outstanding British Film longlist, aligning with Best Film. The Directing Chapter will determine the longlist and nominations in entirety. Juries previously determined six out of 16 places on the longlist as well as four out of six nominations. All 24 acting nominations (six per category) will now be determined by BAFTA’s Acting Chapter. Previously, three out of six nominees per category were determined by nominating juries. Screenwriters with ‘story by’ credits will be included as named nominees.

The 78th edition of the awards will take place on February 16, 2025. Several updates have been introduced. This year’s rulebook includes a new Children’s and Family Film award, a new points system to strengthen eligibility into the Outstanding British Film category, and expanded theatrical requirements for Best Film, alongside evolving the 120+ interventions implemented as part of the 2020 BAFTA Review on the basis of four years’ worth of membership, BAFTA View and voting data.

Last year’s BAFTAs found Oppenheimer, Poor Things, The Zone of Interest and The Holdovers leading the wins, all of which also prospered at the Oscars..

See full timeline and key changes below. The full EE BAFTA Film Awards rulebook for 2025 can be found HERE.

TIMELINE

Friday, August 2, 2024 – Entries open 
Friday, December 6, 2024 – Round One voting opens 
Friday, January 3, 2025 – Longlists publish 
Friday, January 3, 2025 – Round Two voting opens 
Wednesday, January 15, 2025 – Nominations Press Announcement
Wednesday, January 22, 2025 – Round Three voting opens 
Sunday, February 16, 2025 – EE BAFTA Film Awards

KEY CHANGES

Children’s and Family Film – new category 
A new Children’s and Family Film award will celebrate the very best films appealing to inter-generational audiences. This is the first new category to be introduced to the EE BAFTA Film Awards in five years, following the introduction of a Casting award in 2020. As previously set out in autumn 2023, the inclusion of a dedicated award for children and family films will profile the essential creative contributions of the children’s media sector.

Outstanding British Film – voting and eligibility change 
Outstanding British Film is a category of national and international significance to BAFTA for showcasing the very best of British-made films. A new points-based system will strengthen the category’s eligibility criteria to provide clearer guidance on how films qualify. The new points system will encompass criteria such as nationality of the candidates for nomination, key department heads and cast, alongside collating information about co-productions, BFI cultural test, setting, source material, and the new Independent Film Tax Credit.

An update to the voting process has also been introduced. Moving forwards, all BAFTA film voters will determine the Outstanding British Film longlist, aligning with Best Film (the only other category that all BAFTA film voters participate in during Round One). Of the 15 longlisted films, the top five will continue to be automatically nominated, and a jury will continue to determine the remaining five nominations (bringing the total number of nominations to 10), whilst all film voters will continue to select the winner. 

Best Film – eligibility update 
The minimum number of theatrical screenings has been significantly increased to ensure British cinema audiences have ample access to Best Film contenders on the big screen. Films must be theatrically exhibited publicly for the first time on at least 50 commercial screens in the UK for at least seven days – the equivalent of at least 350 screenings. Previously, BAFTA mandated ten screenings per day for seven days to be eligible. 

Director – voting update 
From 2025, the Directing Chapter will determine the longlist and nominations in entirety. Juries previously determined six out of 16 places on the longlist as well as four out of six nominations. Additionally, the longlist will be reduced from 16 to a maximum of 11 in line with other categories. The gender parity intervention at longlisting stage, which has been instrumental in levelling the playing field for talented women directors since its introduction four years ago will continue. As in previous years, the longlist will comprise of the top women and men directors with gender parity upheld, plus (an update introduced last year) directors who identify as non-binary/gender diverse and any mixed-gender directing teams who rank within the voting results range of the top 10 women/men directors, to a maximum of 11. The number of nominations will remain at six. All film voters will continue to decide the winner.

Leading Actress, Leading Actor, Supporting Actress, Supporting Actor – voting update 
The performance categories are voted for through a combination of jury, Chapter and all film member voting. From 2025, the longlists will continue to be determined by the Acting Chapter and longlisting jury (who decide three out of 10 places per category). All 24 nominations (six per category) will now be determined by BAFTA’s Acting Chapter. Previously, three out of six nominees per category were determined by nominating juries. The winners will continue to be decided by an all-film member vote. 

Documentary – voting and eligibility change
Following a wide sector consultation, the definition of a documentary has been updated in the rulebook. Voters will also be asked to opt-in to the Documentary Chapter afresh. The partial use of a jury will continue at nomination stage (determining three out of five places), and all voters will select the winner in Round Three, not the opt-in chapter as in previous years. 

Animation and Film Not In the English Language – voting update 
Similar to Documentary, all members will be invited to opt-in afresh to determine the longlist in Round One and nominations in Round Two, whilst all film voters will be invited to determine the winner of both the Animation and Film Not in the English Language categories. Previously all rounds of voting took place via the opt-in chapter.

Screenplay – eligibility update 
Moving forwards, screenwriters with ‘story by’ credits will be included as named nominees. 

British Short, British Short Animation – eligibility update
A new Qualifying Festivals List for the British Short Animation category will be introduced. Qualifying shorts will need to have screened at one festival from BAFTA’s new British Short Animation Qualifying Festivals to be eligible for entry. 

VOTING, CHAPTERS AND JURIES

The EE BAFTA Film Awards voting takes place over three rounds: Longlisting, Nominations and Winners. 

  • Round One voting will determine the longlists
  • Round Two voting will determine the nominations
  • Round Three voting will determine the winners

All categories except for the EE Rising Star Award are peer-voted for by BAFTA’s global voting membership, comprising almost 8,000 creatives and industry practitioners from all corners of the British and global film industry.

Voting takes place through a combination of all film member voting, specialist Chapter voting and juries. Chapters are made up of BAFTA members who hold specialist knowledge in a particular craft. Juries are comprised of BAFTA members with varied industry roles and experience and from diverse backgrounds, gender, location and age groups. 

BAFTA encourages voters to watch as many films as possible at the cinema, and in addition makes all qualifying films available to watch on BAFTA’s online viewing platform, BAFTA View. To ensure a level playing field and fair consideration for all titles, regardless of marketing budget, members are allocated a randomly selected sample of 15 films before participating in Round One voting. Additionally, it is compulsory for all voters, including those in Chapters and juries, to watch all longlisted and nominated films in in any of the categories they wish to vote in.

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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