BFI London Film Festival Full Line-Up: Beasts of No Nation, Tangerine, Son of Saul in Competition

Published by
Share
Beasts of No Nation roars into the BFI London Film Festival

 

The 59th BFI London Film Festival has revealed its full lineup of In Competition and First Feature films with Oscar contenders Son of Saul and Beasts of No Nation leading the way. Also in competition is the trans indie Tangerine from Sean Baker and Cannes entry Cemetary of Splendor from Apitchatpong Weerasethakul. Previously announced were the opening and closing night films; Sarah Gavron’s Suffragette, starring Carey Mulligan, Helena Bonham Carter, and Meryl Streep and Danny Boyle’s Steve Jobs starring Michael Fassbender and Kate Winslet, respectively. Each will be European premieres.

In total, the festival will show 238 fiction and documentary features, including 16 world premieres, 8 international premieres, 40 European premieres and 11 Archive films including 5 Restoration world premieres.

The festival runs October 7-18.

In Competition:

11 Minutes – Jerzy Skolimowski
Beasts of No Nation – Cary Fukunaga
Cemetery of Splendor – Apichatpong Weerasethakul
Chevalier – Athina Rachel Tsangari
The Daughter – Simon Stone
Desierto – Jonás Cuarón
Evolution – Lucile Hadžihalilović
Office – Johnnie To
Room – Lenny Abrahamson
Son of Saul – László Nemes
Sunset Song – Terence Davies
Tangerine – Sean Baker
Very Big Shot – Mir-Jean Bou Chaaya

Titles in consideration for the Sutherland Award in the First Feature Competition are:

3000 Nights – Mai Masri
Bang Gang (A Modern Love Story) – Eva Husson
The Here After – Magnus von Horn
Krisha – Trey Edward Shults
Lamb – Yared Zeleke
Light Years – Esther May Campbell
Partisan – Ariel Kleiman
Paula – Eugenio Canevari
Tanna – Bentley Dean, Martin Butler
The Wait – Piero Messina
Wedding Doll – Nitzan Gilady
The Witch – Robert Eggers

Galas:

Carol – Todd Haynes
Trumbo – Jay Roach
Black Mass – Scott Cooper
Brooklyn– John Crowley
The Lady in the Van – Nicholas Hynter
High-Rise – Ben Wheatley

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

Recent Posts

Sebastian Stan and Lily James to Reunite for Psychological Thriller ‘Let the Evil Go West’

Star Thrower Entertainment, Gramercy Park Media and north.five.six. announced today that Emmy-nominated Sebastian Stan (Pam… Read More

May 9, 2024

Director Watch Ep. 45 – ‘On the Rocks’ (Sofia Coppola, 2020)

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt… Read More

May 9, 2024

77th Edinburgh International Film Festival will Open with the UK Premiere of Nora Fingscheidt’s ‘The Outrun’ Starring Saoirse Ronan

The Festival also announces its shorts competition will be titled The Thelma Schoonmaker Prize for Short… Read More

May 9, 2024

‘Kingdom of the Planet of the Apes’ Review: Owen Teague and the VFX work highlight Wes Ball’s Action-Packed Installment

There is something endearing about how the Planet of the Apes franchise has continued to… Read More

May 8, 2024

‘Dandelion’ Review: KiKi Layne is Electric in Wilted Story of a Musician’s Journey | Chicago Critics Film Festival

Most actors count themselves lucky to land a leading role. In the case of Dandelion,… Read More

May 7, 2024

‘Oddity’ Review: Damian Mc Carthy’s Mannequin Horror is Anything But Wooden | Chicago Critics Film Festival

Films that rely on jump scares are a controversial topic amongst horror fans. Some prefer… Read More

May 7, 2024

This website uses cookies.