In Mike Nichols’ sharp romantic comedy Working Girl, Tess McGill (Melanie Griffith) is the perfect blend of aspirational and relatable, a New York woman. When... Read More
Interviews (Film)
There are really just a handful of directors whose work feels so quintessentially New York and that list doesn’t exist without Ira Sachs. Which makes... Read More
Like most great films, writer-director Mary Bronstein came up with the idea of an exceptional second feature film, If I Had Legs I’d Kick You,... Read More
There has been no one in cinema making movies like writer-director Jafar Panahi. No literally, no one. Over the course of the last fifteen years,... Read More
What if your dreams could be… real? That’s what the new Netflix animated film In Your Dreams posits, or moreso, what if your reality was... Read More
A lot has changed for actress Zoey Deutch since the last time she starred in a Richard Linklater film. Since 2016’s Everybody Wants Some!, Deutch... Read More
From the moment it premiered at the Sundance Film Festival, Train Dreams has been the little engine that blossoms into something unique and universal once... Read More
There was nothing but pure joy when talking to costume designer Kate Hawley about her latest work on Guillermo del Toro’s Frankenstein. When you see... Read More
There is no better introduction to a character in film this year than when we are first introduced to Eileen Lovborg in Nia DaCosta’s latest... Read More
There’s been a lot of talk about Materialists. That in and of itself isn’t especially surprising. After all, it is the follow-up to filmmaker Celine... Read More

Interview: Celine Song on Creating a Victorian Romance in 2025 and Knowing Dakota Johnson was Her Working Girl in ‘Materialists’
Ira Sachs on His New Film ‘Peter Hujar’s Day,’ Coming of Age in the 80s, and the Art of Creating Art [VIDEO INTERVIEW]
Interview: Mary Bronstein and Rose Byrne on Molding an Immersive Experience of Modern Motherhood with ‘If I Had Legs I’d Kick You’
Interview: Jafar Panahi on Making a Statement of Forgiveness Rather Than Revenge with ‘It Was Just an Accident’
Interview: How Director Alex Woo Found Magic and Mystery With ‘In Your Dreams’
Interview: How Zoey Deutch Built Her Singular Version of Jean Seberg for Richard Linklater’s ‘Nouvelle Vague’
Interview: Clint Bentley and Joel Edgerton on Creating a Portrait of a Life Full of Humanity with ‘Train Dreams’
Interview: Kate Hawley on Crafting the Meticulous Costume Design in ‘Frankenstein’ and the Joy of Collaborating with Guillermo del Toro
Interview: Nina Hoss on Reshaping Ibsen’s Play With a Female, Queer Perspective Inside Nia DaCosta’s Reinterpretation ‘Hedda’
Zoë Winters on Being the Center of the ‘Materialists’ Discourse and the Safety of Working with Celine Song [Interview]
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]