Toronto International Film Festival (TIFF)

Interview: ‘Widows’ film composer, Oscar winner Hans Zimmer

With over 150 films to his name, Hans Zimmer is one of the most prolific and most recognizable name in… Read More

November 14, 2018

Interview: Joe Walker, Oscar-nominated film editor of ‘Widows’

Joe Walker is a two-time Oscar-nominated film editor who is responsible for cutting some of the best action and sci-fi… Read More

November 12, 2018

Interview: Garrard Conley, author of ‘Boy Erased’

Author Garrard Conley on the set of Joel Edgerton’s Boy Erased, a Focus Features release. Credit: Focus Features Garrard Conley is the… Read More

October 31, 2018

Interview: Maggie Gyllenhaal on ‘The Kindergarten Teacher,’ complex women and taking what she wants

Photo: Christian Hogstedt Maggie Gyllenhaal is no stranger to playing complex women on the verge of a personal awakening or exerting… Read More

October 9, 2018

Toronto Review: ‘Boy Erased’ (★★★½)

Joel Edgerton has crafted a compassionate family drama with extraordinary performances from Lucas Hedges, Nicole Kidman and Russell Crowe In… Read More

September 18, 2018

2018 TIFF: What Did We Like and What Did We Learn

As awards watchers, the Toronto International Film Festival is the biggest jumping off point for Oscar season. Venice and Telluride… Read More

September 17, 2018

Toronto Film Festival Winners: ‘Green Book’ drives into the Oscar race

The Peter Farrelly race relations road comedy Green Book, starring Academy Award winner Mashershala Ali (Moonlight) and Academy Award nominee… Read More

September 16, 2018

Toronto Review: ‘Green Book’ (★★)

Peter Farrelly's race relations road movie may be safe and conventional but winning performances from Viggo Mortensen and Mahershala Ali… Read More

September 15, 2018

Toronto Review: ‘If Beale Street Could Talk’ (★★★★)

KiKi Layne and Stephan James in 'If Beale Street Could Talk' Barry Jenkins follows up his Oscar-winning Moonlight with another… Read More

September 14, 2018

Guilt, Rage, and Love – Examining Karyn Kusama’s DESTROYER and Claire Denis’ HIGH LIFE

Historically, the depiction of female emotion on film has been constrained by how palatable it is for the male gaze.… Read More

September 12, 2018

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