Petra Volpe’s third feature film Late Shift – after The Divine Order and Dreamland – covers a crisis. There is a shortage of nurses across... Read More
Interviews
Todd Solondz has long embraced his persona as a cinematic agitator and provocateur. He seems to follow a pattern: as critics and audiences recoil from... Read More
“Brady is an exceptional talent and definitely someone to watch, no question.” Right at the start of his interview with AwardsWatch back in December 2024,... Read More
“All I can do is be true to my own experience and what I feel is ethical and right in the stories I want to... Read More
It’s an embarrassment of riches to have two transformative, awards-worthy roles in one career. But what does it mean when you have two in the... Read More
It was the reunion that set the hearts of cinephiles aflutter. In September, British filmmaker Mike Leigh returned to the silver screen with Hard Truths,... Read More
More than 30 years ago, Nick Park introduced the world to an affable and eccentric inventor named Wallace and his loyal, brilliant canine companion Gromit... Read More
Vivian Kerr is no slacker. For her feature directorial debut Scrap, she’s not only in charge behind the camera, she also wrote it and stars... Read More
Adrien Brody has been waiting twenty years for The Brutalist. Well, not exactly waiting, moreso striving, yearning for a part as significant as that of... Read More
It took some time for Robert Eggers to bring his version of Nosferatu to the big screen, a project he has been wanting to work... Read More

Director Petra Volpe and Actress Leonie Benesch on Maintaining Tension in Their Night Nurse Drama ‘Late Shift’
Interview: Todd Solondz on the 4K Restoration of ‘Palindromes,’ the State of Independent Filmmaking, and his Approach to Comedy
Interview: ‘The Brutalist’ Director Brady Corbet on Examining the American Myth, Generational Power, and Using a Purposeful Intermission
‘A Different Man’ Director Aaron Schimberg on Changing How Disability is Captured on Screen Through a Personal Lens
Sebastian Stan on How ‘The Apprentice’ and ‘A Different Man’ Tackle Comfort, Curiosity, and Confronting Our Fears
In ‘Hard Truths,’ Marianne Jean-Baptiste Reunites with Mike Leigh and Finds the Humanity in Pansy’s Misanthropy
Interview: ‘Wallace & Gromit: Vengeance Most Fowl’ Directors Nick Park and Merlin Crossingham on Bringing Back Two of Animation’s Most Beloved Characters [VIDEO]
Interview: Vivian Kerr and Anthony Rapp Unwrap How ‘Scrap’ Went from a Short to a Feature
Interview: How Adrien Brody Built a Monument to His Mother with ‘The Brutalist’
Interview: Director Robert Eggers (‘Nosferatu’) on the Consequences of Temptation, Training Hundreds of Rats, and Playing with Vampire Lore
79th BAFTA Film Awards: ‘One Battle After Another’ Takes Best Film, Director; Robert Aramayo Wins Best Actor
53rd Annie Awards: ‘KPop Demon Hunters’ Makes History with Clean Sweep of 10 Wins
6th Set Decorators Society of America (SDSA) Awards: ‘Frankenstein,’ ‘Hamnet,’ ‘One Battle After Another’ Take Top Honors
76th Berlin Film Festival Awards: ‘Yellow Letters’ Wins Golden Bear for Best Film; ‘Queen at Sea’ Nabs Two Among Festival Unrest Over Politics