Reviews

‘NYAD’ Review: Annette Bening and Jodie Foster Just Keep Swimming | Telluride

Known for crafting edge-of-your-seat documentaries (Free Solo, The Rescue), Elizabeth Chai Vasarhelyi and Jimmy Chin venture into uncharted territory with… Read More

September 3, 2023

‘The Bikeriders’ Review: Jeff Nichols’ Greaser Gang Takes a Road to Nowhere | Telluride

Around five years ago, director Jeff Nichols came across a book of photography by Danny Lyon called The Bikeriders, which… Read More

September 3, 2023

‘The Caine Mutiny Court-Martial’ Review: William Friedkin’s Final Film is Supported by a Sensational Company of Actors | Venice

It’s not even a month since we lost the great William Friedkin. He made history as one of the leading… Read More

September 3, 2023

‘Aggro Dr1ft’ Review: Harmony Korine’s Latest is a Sexist, Crude Grand Theft Auto-style Knockoff | Venice

Harmony Korine’s Aggro Dr1ft is best described as a perverted Grand Theft Auto-style fantasy. It’s an experimental film to its… Read More

September 3, 2023

‘The Killer’ Review: Stop Me If You Think You’ve Heard This One Before | Venice

That The Killer is David Fincher’s first film with a runtime under two hours in more than twenty years is… Read More

September 3, 2023

‘The Beast’ Review: Léa Seydoux and George MacKay Cross Space and Time in Bonello’s Genre-Bending Romance | Venice

Bertrand Bonello has proven to be one of France’s most interesting, unconventional and sometimes idiosyncratic directors. He shocked the film… Read More

September 3, 2023

‘Maestro’ Review: Bradley Cooper’s Sophomore Film Hits All the Right Notes | Venice

Yet another complex relationship takes center stage in Bradley Cooper’s follow-up to A Star Is Born. The actor-director premiered his… Read More

September 2, 2023

‘Rustin’ Review: Colman Domingo Brings the Civil Rights Legend to Life | Telluride

Most people in the United States know of the 1964 Civil Rights Act that outlawed discrimination based on race, color,… Read More

September 2, 2023

‘The Holdovers’ Review: Alexander Payne’s Emotional, Charismatic Comedy is his Best Film in Years | Telluride

From the opening title cards and credits of Alexander Payne’s latest film, The Holdovers, he instantly transports us back in… Read More

September 1, 2023

‘Poor Things’ Review: Emma Stone is Unhinged in This Raunchy Knockout from Yorgos Lanthimos | Venice

Yorgos Lanthimos is back with a whole new wonderful and wacky creation. Poor Things is a twisted and spellbinding coming-of-age… Read More

September 1, 2023

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