Reviews

‘No Time to Die’ review: Daniel Craig’s epic final entry as James Bond cements him as the best 007 ever [Grade: A-]

With all of the high tech gadgets, beautiful women, fast cars, exotic locations, diabolical villains, James Bond has been a… Read More

September 29, 2021

NYFF Review: Radu Muntean’s Transylvanian horror ‘Întregalde’ finds true terror in the seemingly mundane [Grade: A-]

The landscape of Întregalde pierces you with a cold so persistent, you can’t help but shiver with the characters onscreen.… Read More

September 29, 2021

‘Training Day’ at 20: Welcome back to the jungle [Retrospective]

Twenty years since it first hit theaters, Training Day (2001) is likely best remembered as the film that netted Denzel… Read More

September 28, 2021

NYFF Review: ‘Belle’ (竜とそばかすの姫) will make your heart sing [Grade: A-]

The virtual world in Belle is called “U,” as in it specializes in “you” and what makes each and every… Read More

September 27, 2021

‘Bound’ at 25: The mold-breaker of queer cinema still has us tied up after all these years [Retrospective]

As the world awaits the return of the groundbreaking Matrix film franchise in December, it’s worth taking a moment to… Read More

September 27, 2021

NYFF Review: Cinema just took a huge dose of adrenaline with ‘Titane’ and gasped for air [Grade: A]

It’s probably better for you as a moviegoer to just take my word for it and go see Titane as… Read More

September 27, 2021

‘The Starling’ review: Theodore Melfi’s breakup dramedy flies on a broken wing [Grade: C-]

Melissa McCarthy and Theodore Melfi have shared similarities in their bodies of work. Both getting their names and work known… Read More

September 27, 2021

NYFF Review: Engrossing ‘Prism’ doc examines how photographic technologies favor white skin, questions the “neutral camera” [Grade: A]

Eléonore Yameogo, An van Dienderen, Rosine Mbakam’s Prism may spark an entirely new conversation about racial bias in filmmaking, namely the “problem”… Read More

September 25, 2021

‘The Tragedy of Macbeth’ NYFF review: A beautiful film, full of sound and fury, signifying nothing [Grade: B]

Joel Coen’s The Tragedy of Macbeth premiered at the New York Film Festival with little fanfare—a morning screening, a press… Read More

September 24, 2021

‘My Own Private Idaho’ at 30: Revisiting the seminal arthouse indie through the eyes of a lonely, horny teenager [Retrospective]

To this day, I still feel a close kinship with the disenfranchised, strung-out, narcoleptic gay hustler of Gus Van Sant’s… Read More

September 24, 2021

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