Reviews

The legacy of ‘The Sandlot’ is still a home run almost 30 years later

As America’s national past time, the sport of baseball has contributed to some of the most beloved family films in… Read More

September 8, 2021

‘Sex Education’ Season 3 review: New teachers, new students, more sex in the best term yet [Grade: A]

Sex Education season 3 returns September 17, and viewers will be ecstatic to know that its heart and exuberant comedy are… Read More

September 8, 2021

Venice Review: Audrey Diwan’s abortion drama ‘Happening (L’Événement)’ bares all but leaves its lead an empty vessel [Grade C-]

The initial idea for Audrey Diwan’s Happening (L’Événement) came from a famous French autobiographical novel, written by Annie Ernaux in… Read More

September 6, 2021

Venice Review: Ana Lily Amirpour’s ‘Mona Lisa and the Blood Moon’ is a vibrantly stylish, yet uneven ride [Grade C+]

Ana Lily Amirpour’s latest film, after a five-year absence due to her venturing into the world of TV, will take… Read More

September 6, 2021

Venice Review: Tim Roth and Charlotte Gainsbourg seethe in the Mexican heat of Michel Franco’s ‘Sundown’ [Grade: B]

Michel Franco returns to the Lido just one year after his New Order won the Silver Lion Grand Jury Prize,… Read More

September 5, 2021

Venice Review: ‘Scenes from a Marriage’ is a worthy retread with staggering performances from Oscar Isaac and Jessica Chastain [Grade: B+]

It’s not common for me to advise readers to watch a 294-minute limited series in one go. But Scenes from… Read More

September 4, 2021

Venice review: ‘True Things’ cements Harry Wootliff as the master of new British drama [Grade: A-]

Three years after premiering her BAFTA-nominated debut feature, Only You, British filmmaker Harry Wootliff returns to the festival circuit with… Read More

September 4, 2021

Venice review: Isabelle Huppert rivets in this razor-sharp political drama, ‘Promises (Les promesses)’ [Grade B+]

Isabelle Huppert battles to keep her place in the mayoral office in Thomas Kruithof's Les Promesses, also known by its… Read More

September 3, 2021

Venice Review: With ‘The Lost Daughter,’ Maggie Gyllenhaal exposes mother-daughter relations in their vile, discomforting essence [Grade: B]

Leda, a middle-aged comp-lit professor, arrives at a lavish Greek island accompanied solely by her books. Played by an overwrought… Read More

September 3, 2021

Venice review: Denis Villeneuve’s ‘Dune’ is a gripping and visually arresting opener to an exciting universe [Grade: A]

The two most important lines in Dune come at the very beginning and the very end. First, when Duke Leto… Read More

September 3, 2021

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