Film Reviews

‘Dune’ review: The best blockbuster since ‘Mad Max: Fury Road’ [Grade: A]

Near the beginning of Dune, House Atreides arrives on the planet Arrakis, a desert world this noble family takes dominion… Read More

October 20, 2021

‘Night Teeth’ review: A vampire B-movie without any bite [Grade: C-]

When the words “Megan Fox” and “vampire” are involved, it should seem like any movie’s guaranteed recipe for (at the… Read More

October 17, 2021

‘The Velvet Underground’ review: Music doc from Todd Haynes brilliantly reintroduces important counterculture voices to a new generation [Grade: A] (Mill Valley Film Festival)

Much like the eponymous band it explores, The Velvet Underground defies documentary narrative conventions by focusing on its themes, first… Read More

October 15, 2021

‘The Phantom of the Open’ review: Mark Rylance hits an ace in endearing sports comedy [Grade B+] (London Film Festival)

Craig Roberts’ latest sees Mark Rylance delivering the most endearing performance of the year, he is incredibly lovable. Obviously, with… Read More

October 15, 2021

Review: ‘Detention’ (返校) tests the storytelling boundaries of video game and film [Grade: B-]

To make a successful film adaptation of a video game is to understand the strengths and limitations of both mediums.… Read More

October 14, 2021

‘Paris, 13th District’ review: Noémie Merlant shines in a tender, yet dreamy tale of human connection [Grade: A] (London Film Festival)

Jacques Audiard’s latest is a tender, dream-like tale about people seeking true connection. Paris, 13th District marks Audiard’s first step… Read More

October 14, 2021

‘Ali & Ava’ review: A well-rounded, typically British, social realist study [Grade: B] (London Film Festival)

Coming off the Ruth Wilson-starring film Dark River, Clio Bernard’s new film, Ali & Ava, is a sensitive exploration of… Read More

October 13, 2021

‘Great Freedom’ review: Franz Rogowski is transformative in this sombre period prison drama [Grade: A-] (London Film Festival)

Take it from someone who has lived here for all of his twenty-five years: Englanders, for the most part, are… Read More

October 13, 2021

‘The Tender Bar’ review: Ben Affleck raises the bar in George Clooney’s largely inept newest directorial outing [Grade: D+] (London Film Festival)

When you’re at a festival populated by indie slow-burners, a maudlin, easy-to-watch soap opera can be a wonderful, soupy balm.… Read More

October 11, 2021

NYFF Review: Ryusuke Hamaguchi’s 3-hour ‘Drive My Car (ドライブ・マイ・カー)’ is a detailed and meticulous ride that will quietly reward your patience [Grade: B+]

Hidetoshi Nishijima and Masaki Okada in DRIVE MY CAR There’s something inherently fascinating about taking a short story and extending it to a feature… Read More

October 10, 2021

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