Film Reviews

Sundance Review: ‘Emily the Criminal’ is a lean, mean thriller with Aubrey Plaza’s most subversive performance ever [Grade: A]

If a film’s logline refers to the protagonist as someone who “gets caught up in the criminal underworld in Los… Read More

January 25, 2022

Sundance Review: Jono McLeod’s doc ‘My Old School’ threads a fine line between humor and pain, truth and lies [Grade: B]

Exactly a year removed from the premiere of the acclaimed documentary Flee at last year’s Sundance Film Festival, comes My… Read More

January 24, 2022

Sundance Review: Julian Higgins’ ‘God’s Country’ is a showcase for a powder keg performance from Thandiwe Newton [Grade: B]

Ashes in the snow. That is what we see in the beginning of Julian Higgins’ slow-burn thriller, God’s Country, as… Read More

January 24, 2022

Sundance Review: Riley Stearns’ sci-fi satire ‘Dual’ gives us a killer double dose of Karen Gillan [Grade: B+]

Riley Stearns was one of my favorite discoveries at SXSW 2019. Nearly every writing and directing decision in The Art… Read More

January 24, 2022

Sundance Review: In Andrew Semans’ tense and terrifying ‘Resurrection,’ Rebecca Hall gets under your skin [Grade: A]

In an opening scene of Resurrection, a film by writer/director Andrew Semans, premiering at Sundance Film Festival, Margaret, played by… Read More

January 23, 2022

Sundance Review: James Ponsoldt’s ‘Summering’ is an adventurously fanciful but cold tale of childhood [Grade: C]

It begins with a scene akin to a horror film when the protagonist faces the worst nemesis. Three girls are… Read More

January 23, 2022

Sundance Review: Regina Hall and Sterling K. Brown preach a committed yet familiar gospel in church satire ‘Honk for Jesus, Save Your Soul’ [Grade: B-]

“You’ve got to be strong to be a First Lady.” That’s a line stated by Trinitie Childs (Regina Hall) early… Read More

January 23, 2022

Sundance Review: Mariama Diallo’s ‘Master’ balances horrors real and imagined in the world of institutionalized academic racism [Grade: B]

Mariama Diallo’s debut feature Master begins as most coming of age college films do, with orientation and getting to know… Read More

January 23, 2022

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