“The New Yorker will be the magazine not published for the old lady in Dubuque,” editor Harold W. Ross wrote… Read More
Mia Hansen-Løve’s directorial style seems to be less about style or genre and more about mood. Her 2018 travelogue romance… Read More
The kind of movie which reminds you just how beguiling top-tier cinema can be, Joachim Trier’s The Worst Person in… Read More
“We’re all entitled to a sin,” one nun confesses to her attentive Sister Benedetta (Virginie Efira). And sin she indeed… Read More
If Columbus was a bold attempt to resurrect slow cinema with a Gen Z-friendly storyline and progressive ideas, After Yang… Read More
“Okay, so we’re really gonna watch a cow for two hours,” a fellow attendee said, amused and skeptical, just before… Read More
It was only two years ago that writer-director Joanna Hogg carved out a gorgeous memory piece with The Souvenir, telling… Read More
“Fame is like a flame,” Adam Driver’s Henry McHenry says wistfully in his stand-up routine, before a rapt audience. “Glorious,… Read More
Adèle Hanel and Noémie Merlant in Céline Sciamma’s Portrait of a Lady on Fire (photo: MK2) Céline Sciamma’s Portrait of… Read More
(Photo: Carole Bethuel) Elia Suleiman’s latest is a dryly comedic essay film on the Palestinian identity In the same vein… Read More
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