‘Dandelion’ Review: KiKi Layne is Electric in Wilted Story of a Musician’s Journey | Chicago Critics Film Festival
Most actors count themselves lucky to land a leading role. In the case of Dandelion, the new film from writer-director Nicole Riegel, the movie is... Read More
Film Festivals
‘Oddity’ Review: Damian Mc Carthy’s Mannequin Horror is Anything But Wooden | Chicago Critics Film Festival
Films that rely on jump scares are a controversial topic amongst horror fans. Some prefer them over the kinds of mood-based, slow paced “elevated” horror... Read More
‘Chicken Run: Dawn of the Nugget’ Review: This Bird Barely Flies | LFF
The 2000 Aardman animated film Chicken Run is about as close to a perfect family film as you can get. The Great Escape-inspired frolic from... Read More
‘Cobweb’ Review: Song Kang-ho is Pitch-perfect in this Delirious Meta-Comedy | LFF
Writer-director Jim Jee-woon reteams with Parasite actor Song Kang-ho in this delirious, self-knowing satire on the filmmaking process. Cobweb asks meaningful questions about the creative... Read More
‘The Toxic Avenger’ (2023) Review: Peter Dinklage is Ready to Intoxicate You Now | Fantastic Fest
Another superhero film? Not quite. Lloyd Kaufman’s Troma entertainment brought us the unlikeliest hero, The Toxic Avenger (1984). Spanning multiple sequels, TOXIE is ready for... Read More
‘Art and Pep’ review: A celebratory chronicle of LGBTQ+ bar culture and its importance
A visit to the bar at the center of Mercedes Kane’s new documentary Art and Pep reveals how far Chicago’s LGBTQ community has come: Sidetrack’s... Read More
‘January 6th’ review: A vital and undeniable exploration of the insurrection captured on camera [DOC NYC]
The date of January 6th has quickly taken on an immortal meaning, and its significance will only grow as the United States goes through another... Read More
‘Please Baby Please’ review: A stylized, liberated 1950’s underground fever dream that redefines traditional gender norms | NewFest
Musicals from the 1950’s immediately conjure up vibrant images of guidos serenading girls in poodle skirts or elegant leading ladies dancing elaborate numbers in a... Read More
‘Mama’s Boy’ review: Dustin Lance Black doc just barely balances line between being uplifting and a stilted vanity project | NewFest
In 2009, at the age of 34, Dustin Lance Black won an Oscar for his screenplay for the Harvey Milk biopic Milk. In his acceptance... Read More
‘Lady Chatterly’s Lover’ review: Little to love beyond Emma Corrin and Jack O’Connell’s performances in Laure de Clermont-Tonnerre’s listless adaptation | LFF
A spirit of thoughtless anachronism looms over Laure de Clermont-Tonnerre’s Lady Chatterley’s Lover, Netflix’s crude and cynical attempt at seeing if some of the steam... Read More
FINAL Frontrunner Friday Oscar Predictions of the 2025/2026 Season 
FINAL 2026 Oscar Predictions: BEST PICTURE and BEST DIRECTOR 
‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW 
‘Margo’s Got Money Troubles’ Season One Review: Elle Fanning and Michelle Pfeiffer Momedy Hits the Mark [B+]