‘The Stranger’ review: Joel Edgerton and Sean Harris face off in this taut, unnerving Australian detective drama [B+] | LFF
Thomas Wright’s Australian detective drama stars Joel Edgerton and Sean Harris, and it’s a gripping film that is unconventionally delicate. This delicacy in the storytelling... Read More
Film Festivals
‘Blue Jean’ review: Georgia Oakley’s searing feature debut is a remarkably poignant British drama of the viciously homophobic Thatcher era [A] | LFF
It’s 1988 in Tyneside, North East England, and Margaret Thatcher has been Prime Minister for a year when the conservative government enacts Section 28, a... Read More
‘Roald Dahl’s Matilda the Musical’ review: A joyous, magical, fun-filled adventure [B+] | LFF
The opening frame of Roald Dahl’s Matilda the Musical is startling, absurd, as animation-like rays beam off of newly born children as their parents sing... Read More
‘On the Fringe’ review: Juan Diego Botto’s directorial debut with Penélope Cruz is an ambitious but fractured effort [C] | Zurich
Juan Diego Botto’s directorial debut pulls no swings when it comes to social realism, it is a restless drama that follows a set of people... Read More
‘Mister Organ’ review: Obsession take centerstage in David Farrier’s twisted documentary about an insidious liar [B] | Fantastic Fest
The job of an investigative journalist is to dive deep into the fray, willing to get their hands dirty to undercover the truth of the... Read More
‘The Swimmers’ review: Sally El Hosaini’s drama is a harrowing true tale of survival and dreams [B+] | Zurich
As long as cinema has existed, there have been “based on true events” films. George Méliès’ Joan of Arc (Jean D’Arc), released in 1900, is... Read More
‘Smile’ review: Inventive jump scares and Sosie Bacon’s committed performance are just enough to carry Parker Finn’s horror debut [C+] | Fantastic Fest
From the opening scene of Smile, the feature film debut of writer-director Parker Finn, you know exactly what kind of horror film you are getting... Read More
Tribeca Film Festival Review: ‘Don’t Make Me Go’ can’t leave well enough alone [Grade: B]
Don’t Make Me Go achieves the rare feat of showing its hand too often and still not earning its final twist. Hannah Marks’s road movie... Read More
‘The Lost City’ review: Sandra Bullock and Channing Tatum charm in a cute but stale retread of familiar jungle territory [Grade: B-] | SXSW
The phrase “they don’t make them like they used to” is floated around a lot with modern art, whether it is movies, books, television, or... Read More
‘The Girl and the Spider’ review: A tangled web provides a fascinating contemplation of human interaction [Grade: B]
In their second feature film, The Girl and the Spider, Swiss brothers Ramon and Silvan Zürcher continue to explore the themes and style that they... Read More
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists 
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards 
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award 
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10