“I’m sure postal workers like it though, as it gives their job a very flattering impression of being important. But if you’re not a postal... Read More
Film Reviews
The concept of the male gaze is almost literally what defines Hollywood. Movies made in Hollywood are still largely made by men for men, and... Read More
Striptease – “However the entire thing ended up being a mess, and I can only hope I can erase the image of Burt Reynolds in... Read More
With a storied history dating back to the Napoleonic Wars (the Walcheren campaign of 1809), the 2nd Battalion of the Devonshire Regiment risks sending 1,600... Read More
The United States is a country with great pride. No matter what internal divisions we may have, we, as a people, have always proved our... Read More
It’s sometimes easy to forget that film is an art form. And, as with any art, the enjoyment or quality of a movie is subjective. ... Read More
The internal struggles of a character are often the most difficult to portray in a visual medium. Filmmakers have to find clever and interesting ways... Read More
We can talk a lot about films being relevant or tapping into the zeitgeist, but perhaps no other film I’ve seen this year is or... Read More
Mental health has been a topic that has emerged from the shadows as more and more people have opened up about their struggles. It hasn’t... Read More
For all the drama and lure of big cities, some of the best movies have been stories set in small towns. Sometimes there’s nothing like... Read More

Retrospective: Worst Picture/Best Picture – Postman and Titanic (1997)
Review: Céline Sciamma challenges the male gaze with the meticulous and gorgeous ‘Portrait of a Lady on Fire’
Retrospective: Worst Picture/Best Picture – Striptease and The English Patient (1996)
Review: ‘1917’
AFI FEST Review: Barbara Kopple’s ‘Desert One’ is a staggering, indelible must-see
AFI FEST Review: ‘Ivana the Terrible’
AFI FEST Review: ‘Love Me Tender’
AFI FEST Review: Alex Gibney’s ‘Citizen K’ is a warning call
AFI FEST Review: ‘Anne at 13,000 ft’ is centered by a nuanced performance from Deragh Campbell
AFI FEST Review: ‘Blow the Man Down’ is a clever, entertaining attention-grabber
Interview: Production Designer Jack Fisk on Recreating 1950s New York and Building a Ping Pong Playground in ‘Marty Supreme’
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW]
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]