‘R.M.N.’ review: Cristian Mungiu’s Transylvanian drama reminds us who the real monsters are [B+] | NYFF
In Cristian Mungiu’s drama R.M.N., there is something scary in the woods. Perhaps it is a bear, hungry in midwinter, or perhaps a monster, a... Read More
Amelia Merrill
Amelia Merrill is a New York-based journalist and theatre artist. Her writing can be seen on Shondaland, American Theatre magazine, Bright Wall/Dark Room, and more.
‘Alcarràs’ review: Carla Simón’s family drama is a neorealist classic in the making [A] | NYFF
Each film festival season brings with it at least one title that charms with the charisma of its child actors. Carla Simón’s Alcarràs, which comes... Read More
Tribeca Film Festival Review: ‘Don’t Make Me Go’ can’t leave well enough alone [Grade: B]
Don’t Make Me Go achieves the rare feat of showing its hand too often and still not earning its final twist. Hannah Marks’s road movie... Read More
NYFF Review: Radu Jude’s subversive ‘Bad Luck Banging or Loony Porn’ is a sex tape satire with an explosive climax [Grade: A-]
Watching the beginning of Radu Jude’s new film, you have to remind yourself that it’s not really porn. There is actual sex on screen, but... Read More
NYFF Review: Radu Muntean’s Transylvanian horror ‘Întregalde’ finds true terror in the seemingly mundane [Grade: A-]
The landscape of Întregalde pierces you with a cold so persistent, you can’t help but shiver with the characters onscreen. Radu Muntean’s drama turns the... Read More
‘The Tragedy of Macbeth’ NYFF review: A beautiful film, full of sound and fury, signifying nothing [Grade: B]
Joel Coen’s The Tragedy of Macbeth premiered at the New York Film Festival with little fanfare—a morning screening, a press conference with COVID-induced microphone restrictions,... Read More
Interview: ‘Pray Away’ director Kristine Stolakis on her film’s personal inspiration and what “ex-gay” conversion therapy looks like today
There are times when a documentary film opens the door to an important conversation and leaves you breathless with the weight of what it depicts.... Read More
New Directors/New Films Festival review: In ‘Short Vacation,’ the end of the world is just the beginning
If you knew that the number of photos you could take on your phone on any given day was limited, and that instead of deleting... Read More
New Directors/New Films Festival Review: ‘All Light, Everywhere’ teaches us how to see
Theo Anthony’s experimental documentary All Light, Everywhere confronts you with images you might not want to see: An inside look at someone’s sinewy optic nerve;... Read More
NYFF Review: ‘On the Rocks’ is a subtle reminder of what Sofia Coppola does best
Like most Sofia Coppola films, there are a million little things that build the world of On the Rocks,rather than a neon sign pointing to... Read More
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