NYFF Review: ‘On the Rocks’ is a subtle reminder of what Sofia Coppola does best
Like most Sofia Coppola films, there are a million little things that build the world…
Amelia Merrill
NYFF Review: ‘The Woman Who Ran’ cannot escape being defined by men
“Seeing cows makes me so sad,” Gam-hee declares as she pokes at a plate of…
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NYFF Review: ‘Isabella’ doesn’t sink or swim—it just floats
Filmmaker Matías Piñeiro has added to his Shakespearean-inspired filmography with Isabella, which is as much…
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Film Review: In ‘Boys State,’ American Exceptionalism Wins
Amanda McBaine and Jesse Moss’s documentary Boys State begins by juxtaposing two ideologically opposite campers…
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Interview: Writer Anna Winger on the Virtual Emmys and Making ‘Unorthodox’ in Berlin
Anna Winger is accustomed to the German limelight. A Massachusetts native, she’s made her television…
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Interview: Shira Haas on ‘Unorthodox,’ Music, and Working with Women Directors
Israeli actress Shira Haas has shot to stardom in the midst of our world’s unusual…
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Film Review: ‘Pray Away’ cements itself as a definitive documentary on conversion therapy
Films about conversion therapy and its survivors have been popular in recent years: 2018 brought…
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TV Recap: One Day at a Time – S4 E6 “Supermoon”
I didn’t think that this week’s episode of One Day at a Time would tug…
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TV Recap: “One Day at a Time” S4 E5 – “Perfect”
The latest episode of One Day at a Time, “Perfect,” begins with some classic Alvarez…
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TV Recap: One Day at a Time S4 E4 – “One Halloween at a Time”
his is it! I thought, like the show’s theme song lyrics, as the credits rolled…
