I love Albert Brooks. I love him as an actor, as a comedian, as a filmmaker. There’s something about his personality I find very pleasing,... Read More
Film Reviews
After witnessing the magnificence of The Irishman, one of Martin Scorsese’s late-career masterpieces, I told myself that I would have been satisfied if I had... Read More
The 2000 Aardman animated film Chicken Run is about as close to a perfect family film as you can get. The Great Escape-inspired frolic from... Read More
Writer-director Jim Jee-woon reteams with Parasite actor Song Kang-ho in this delirious, self-knowing satire on the filmmaking process. Cobweb asks meaningful questions about the creative... Read More
Tiny toes sporting a fresh pedicure step daintily across a carpet as a harp plays. Garish decor, swans, tchotchkes, and framed records tell us we’re... Read More
In last year’s conductor-focused, brilliantly layered New York Film Festival selection, TÁR, Todd Field depicts an interaction between maestro Lydia Tár and a possible conquest... Read More
People are innately intrigued with murder mysteries and the reasonings behind such violent and heinous acts. It’s human nature to want to discover the truth,... Read More
Not every romantic relationship has to be equitable, and there’s no shame in that – unless you’re into that. Joanna Arnow’s directorial debut follows a... Read More
The specter of The Exorcist looms large over modern horror filmmakers. William Friedkin’s tale of demonic possession wasn’t so much released in 1973 as it... Read More
Tales of expeditions to explore previously unincorporated lands are all too often whitewashed in history as positive roots of a bright young nation, offering an... Read More

‘Albert Brooks: Defending My Life’ Review: Brooks’ Comedic Genius Needs No Defending in New Documentary | AFI FEST
‘Killers of the Flower Moon’ Review: Martin Scorsese Crafts an Elegiac Masterpiece Filled with Beauty and Bloodshed
‘Chicken Run: Dawn of the Nugget’ Review: This Bird Barely Flies | LFF
‘Cobweb’ Review: Song Kang-ho is Pitch-perfect in this Delirious Meta-Comedy | LFF
‘Priscilla’ Review: Cailee Spaeny is Magnificent in Sofia Coppola’s Intricate Diary of A Lonesome Teenage Girl | NYFF
‘Maestro’ Review: Bradley Cooper’s Upper West Side Story is a Stylish, Marital Melodrama | NYFF
‘Only the River Flows’ Review: Wei Shujun’s Gritty Neo-Noir Grips with Old-Fashioned Storytelling | LFF
‘The Feeling That the Time for Doing Something Has Passed’ Review: Joanna Arnow’s Eye-Opening Look at Power, Control and Malaise | NYFF
‘The Exorcist: Believer’ Review: Will the Devil Ever Give David Gordon Green His Soul Back?
‘The Settlers’ Review: A Searing Examination of Power Dynamics and Land Appropriation in Early 20th Century Chile | NYFF
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
Director Watch Podcast Ep. 136 – ‘Rules Don’t Apply’ (Warren Beatty, 2016)
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