Olivier Assayas returns to cinema, after remaking Irma Vep with Alicia Vikander for Max, with a reflexive film about the life of a filmmaker in... Read More
Film Reviews
Without a doubt, Sasquatch Sunset is a one-of-a-kind film that will surprise audiences around the world. No one is prepared for what Damsel directors David... Read More
There is something innately intriguing about the lives our ancestors led, many do ancestry searches and DNA tests but some go to the source to... Read More
The month of February is not particularly known for the top echelon of studio releases and is usually reserved for more of the light, fun,... Read More
The Taste of Things was France’s submission to the 2024 Oscars’ Best International Feature Film category. Set in 1885, Eugénie (Juliette Binoche), an artist in... Read More
It’s a thought that has plagued anyone who has ever been interested in a man: “I can fix him.” Whether he’s emotionally unavailable or physically... Read More
Every year, at least one film is ruined by its trailer. Not that its entire plot is revealed (there are plenty of those), but in... Read More
“The first ten minutes weren’t so bad but then I realized I was in “Finding Nemo”. When I made my way to the right theater-... Read More
In today’s Sundance 2024 review diary I look at three of the festival’s award winners in the U.S. Dramatic section: Sean Wang’s Dìdi (弟弟), which... Read More
“No one wants to watch another white guy with problems, not in this climate.” That’s the feedback Martin (David Schwimmer) gets on the film script,... Read More

‘Hors du Temps (Suspended Time)’ Review – Olivier Assayas’ Truffaut-Inspired Film Reinvigorates the Lockdown Formula | Berlinale 2024
‘Sasquatch Sunset’ Review – Riley Keough Monkeys Around in Hilarious and Fascinating Gross-Out Comedy | Berlinale 2024
‘Treasure’ Review: Stephen Fry Can’t Save This Poorly Scripted Journey into the Past | Berlinale 2024
‘Madame Web’ Review: She Shoots but She Doesn’t Score
‘The Taste of Things’ Review: Lovers Simmer in the Kitchen in this French Foodie Fantasy
‘Lisa Frankenstein’ Review: Chivalry is Undead in Zelda Williams and Diablo Cody’s ‘80s-Set Coming-of-Age Horror Comedy
‘Argylle’ Review: Matthew Vaughn Hacks Up a Furball in Overcomplicated Spy Thriller
Retrospective: Worst Picture/Best Picture: ‘Gigli’ and ‘The Lord of the Rings: Return of the King’ (2003)
Sundance 2024 Reviews: ‘Dìdi (弟弟),’ ‘In the Summers,’ ‘A Real Pain’
‘Little Death’ Review: Separate Storylines Highlight Character Explorations in Jack Begert’s Lingering Debut | Sundance 2024
How Judith Light Psychs Us Out in ‘The Terror: Devil in Silver’ and the Secret to Her Long-lasting Career [VIDEO INTERVIEW]
2027 Oscar Predictions: BEST ACTRESS (May)
Colman Domingo to Receive Variety Creative Conscience Award at 50th San Francisco International LGBTQ+ Film Festival (Frameline50)
Interview: Ildikó Enyedi on Working with Tony Leung and Léa Seydoux and Her Triptych Storytelling in ‘Silent Friend’