Halfway through Mia Hansen-Løve’s eighth feature, one character pokes at another referring to life and its “complex things you wouldn’t understand.” One way or another,... Read More
Film Reviews
One of America’s most talented filmmakers for the best part of two decades, James Gray (Ad Astra, The Lost City of Z) may, with the... Read More
Tom Cruise was being honest when he told a crowd in Cannes on Wednesday that he believes the main ingredient of art is “skill.” Though... Read More
There is a lot of discourse around foreign language films being remade for English-speaking audiences. While sometimes it feels completely unnecessary, there are times when... Read More
Wars have always been full of stories that are so fantastical, they can only be true. The real story behind Netflix’s new war drama Operation... Read More
Hot off the combined success of Avengers: Endgame, WandaVision, and What If? Marvel certainly had no shortage of characters to draw from for its next... Read More
More romance and less thriller, Firebird is packed with brilliant performances, but the lack of audacious choices and the very normalization of queerness knocks this... Read More
A hoard of outcast Vikings pillages a small town towards the end of the first act of Robert Egger’s The Northman. We see their blood... Read More
Though the the political crime thriller genre may no longer be as booming as it was in the decade following 9/11, the world of international... Read More
As time has gone on, and you grow up, one starts to notice that we live in a cynical, harsh world lacking the impulse to... Read More

Cannes Review: Absences haunt Mia Hansen-Løve’s raw, but deeply humanistic ‘One Fine Morning’ [Grade: A]
Cannes Review: ‘Armageddon Time’ is a world-class coming-of-ager powered by a raft of terrific performances [Grade: A-]
‘Top Gun: Maverick’ review: Tom Cruise plays it safe in this ruthlessly competent but frustratingly distant sequel [Grade: B-] | Cannes Review
‘The Valet’ review: Eugenio Derbez charms in French farce remake but attempts to take on deep topics get stuck in first gear [Grade: B-]
‘Operation Mincemeat’ review: A surprisingly light British war drama illuminates a story too fantastical to be fiction [Grade: B]
Review: ‘Doctor Strange in the Multiverse of Madness’ brings Sam Raimi’s deliciously twisted sensibilities to the MCU, Elizabeth Olsen is film’s MVP [Grade: B+]
Review: ‘Firebird’ reaches for the sky but fizzles out with familiarity [Grade: B-]
‘The Northman’ review: Robert Eggers’ latest is an expertly crafted, brutal tale of Viking vengeance with a Shakespearian twist [Grade: B+]
‘All the Old Knives’ review: Chris Pine and Thandiwe Newton are double-crossing star-crossed lovers in potboiler that takes too long to heat up [Grade: B-]
‘Marcel the Shell with Shoes On’ review: Takes a foothold on your heart and never lets go [Grade: A-] | SXSW
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW]
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]