A chance encounter, a glance in the right direction while flicking your hair, and it cannot be unseen: it is your former lover who you... Read More
Film Reviews
Almost a decade after Memphis (2013) depicted the spiritual journey of musician Willis Earl Beal, filmmaker Tim Sutton returns to the sombre world of music... Read More
It’s been 50 years since Rainer Werner Fassbinder’s The Bitter Tears of Petra von Kant premiered at Berlinale and to mark this anniversary, prolific French... Read More
Based on the graphic novel by the same name, Marry Me starts to tell the story of pop superstar Kat Valdez (Jennifer Lopez) and boyfriend... Read More
You can’t go wrong with a classic murder mystery, and it doesn’t get more classic than author Agatha Christie, the certified queen of the genre.... Read More
Both hilarious and utterly senseless, the latest Jackass plays like a frenzied, feature-length fails video. MTV’s Jackass has enjoyed endless spin-offs, both the big and... Read More
The need to be seen and how the pressure of society affects how you behave and color yourself is ever-present in Girl Picture. The script... Read More
Anne (Anamaria Vartolomei) is a brilliant Literature student. She’s at the top of her class, deep in her studies, and ready to pass her exams.... Read More
It has taken Hollywood a long time to embrace the full breadth of the queer experience, only recently discovering that LGBTQ people are more than... Read More
In sports, there is nothing better than a rivalry. When two opponents step up to face one another, and have nothing more than animosity towards... Read More

Berlinale 2022 review: Vincent Lindon and Juliette Binoche are bursting with love-drenched lust in Claire Denis’ love triangle drama ‘Fire’ (aka ‘Both Sides of the Blade’) [Grade A]
Berlinale 2022 review: In ‘Taurus’, Machine Gun Kelly exorcizes his stardom [Grade B+]
Berlinale 2022 review: François Ozon’s ‘Peter von Kant’ plays out as an ambitious but flat homage to Fassbinder [Grade C-]
‘Marry Me’ review: Jennifer Lopez and Owen Wilson find love in a hopeless place and we get the first big surprise of 2022 [Grade: B+]
‘Death on the Nile’ review: Less a whodunit than a who cares with enough sham pain to fill denial [Grade: D]
‘Jackass Forever’ review: Welcome to the male members only club [Grade: B+]
Sundance Review: Alli Haapasalo’s ‘Girl Picture’ is a frank and funny look at the power of female friendship [Grade: B+]
Sundance Review: Audrey Diwan’s Golden Lion winner ‘Happening’ is intense, visceral filmmaking at its best [Grade: A-]
Sundance Review: Not even a charming Dakota Johnson can save bland coming out rom-com ‘Am I OK? [Grade: D]
Sundance Review: Eva Longoria Bastón examines the feud and friendship of Oscar De La Hoya and Julio César Chávez, Latinx pride in documentary ‘La Guerra Civil’ [Grade: B+]
Interview: Cinematographer Darius Khondji on Shooting on Film and Finding the Light and the Darkness of ‘Marty Supreme’
Writer/Director Charlie Polinger Tackles Teenage Boy Body Horror in his Debut Feature ‘The Plague’ [VIDEO INTERVIEW]
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]