Longtime Thomas Vinterberg collaborator, Tobias Lindholm, marks his English-language debut with The Good Nurse, a gripping thriller with mainstream appeal. Uncovering a harrowing true story... Read More
Film Reviews
Having spent a decade directing the words of Broadway legends such as Annie Baker, Tracy Letts, and Zoe Kazan – to name a handful –... Read More
In 2005, while the military’s “Don’t Ask, Don’t Tell” policy was still in effect, Ellis French (two-time Tony Award nominee Jeremy Pope in his first... Read More
One of TIFF’s most anticipated premieres, My Policeman is a perhaps too by-the-numbers adaptation. What could have been an insightful look at living in a... Read More
Reviewing a film like The Menu is a hilariously ironic task, because with every word I write to this piece, I become more aware that... Read More
Godland is not a film for everyone. Inaccessible at times and undoubtedly not without traces of indulgence, this arthouse film rewards its patient viewers with... Read More
In her editor’s note to the novel Wuthering Heights, Charlotte Brontë described the book as “moorish, and wild, and knotty as a root of heath.”... Read More
On Venice’s Lido island, documentarian Sergei Loznitsa was greeted like an exiled novelist, or an ex-political prisoner finally able to meet his adoring fans. Yet... Read More
Rarely do debut features feel as confident as Makbul Mubarak’s Autobigraphy, an electrifying, bold and heartbreaking film that sends an urgent message about Indonesia’s decaying... Read More
It’s immediately visible that Siccità, or Dry, is setting a grand stage for an incisive comment on the dire nature the world is in. After... Read More

‘The Good Nurse’ review: Eddie Redmayne and Jessica Chastain are riveting in creepy true life murder mystery [B+] | Toronto
‘Causeway’ review: Jennifer Lawrence and Brian Tyree Henry shine in Lila Neugebauer’s thoughtful examination of post-war trauma [A-] | Toronto
‘The Inspection’ Review: Elegance Bratton’s personal exploration of perseverance is led by a transcendent Jeremy Pope [B] | Toronto
‘My Policeman’ Review: Michael Grandage’s film adaptation is a mixed bag of conventional storytelling and compelling performances [B-] | Toronto
‘The Menu’ review: Mark Mylod perfects his recipe of thrills, obsession, and passion [A] | Toronto
‘Godland’ review: Hlynur Pálmason’s latest is an intriguing and evocative look at Danish colonialism [B+] | Toronto
‘Emily’ review: Emma Mackey breathes life into Frances O’Connor’s passionate and incredibly fitting biopic of Emily Brontë [A-] | Toronto
‘The Kiev Trial’ review: Sergei Loznitsa’s latest dip into the archives explores the banality of Nazi evil in Ukraine [B-] | Venice
‘Autobiography’ review: Makbul Mubarak’s debut feature is a harrowing tale of lust for power and deeply rooted corruption [A-] | Toronto
‘Siccità’ review: Paolo Virzì’s Italian apocalyptic satire sinks its teeth into the pandemic, climate change but bites off more than it can chew [C] | Venice
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