Jacques Audiard’s latest is a tender, dream-like tale about people seeking true connection. Paris, 13th District marks Audiard’s first step back to his native language... Read More
Film Reviews
Coming off the Ruth Wilson-starring film Dark River, Clio Bernard’s new film, Ali & Ava, is a sensitive exploration of two complexly troubled people, who... Read More
Take it from someone who has lived here for all of his twenty-five years: Englanders, for the most part, are so blinded by exceptionalism as... Read More
When you’re at a festival populated by indie slow-burners, a maudlin, easy-to-watch soap opera can be a wonderful, soupy balm. Just before the pandemic sent... Read More
There’s something inherently fascinating about taking a short story and extending it to a feature film that asks for a three-hour runtime. You can sit... Read More
Play to film adaptations have always been a thing, but it seems like over the past few years they have really started to become a... Read More
In 2017, having literally moved to Lisbon in the name of soccer motherhood, superstar Madonna found herself a tad despondent. There was the fact that... Read More
While Jason Sudeikis was already an established actor in Hollywood, the mega-success of his Apple TV+ Emmy-winning comedy Ted Lasso has shot the SNL alum... Read More
Kira Kovalenko’s Unclenching of the Fists is set in North Ossetia, in the Russian Caucasus, the site of the horrific Beslan School attack of 2004.... Read More
Watching the beginning of Radu Jude’s new film, you have to remind yourself that it’s not really porn. There is actual sex on screen, but... Read More

‘Paris, 13th District’ review: Noémie Merlant shines in a tender, yet dreamy tale of human connection [Grade: A] (London Film Festival)
‘Ali & Ava’ review: A well-rounded, typically British, social realist study [Grade: B] (London Film Festival)
‘Great Freedom’ review: Franz Rogowski is transformative in this sombre period prison drama [Grade: A-] (London Film Festival)
‘The Tender Bar’ review: Ben Affleck raises the bar in George Clooney’s largely inept newest directorial outing [Grade: D+] (London Film Festival)
NYFF Review: Ryusuke Hamaguchi’s 3-hour ‘Drive My Car (ドライブ・マイ・カー)’ is a detailed and meticulous ride that will quietly reward your patience [Grade: B+]
‘The Humans’ review: Richard Jenkins and Jayne Houdyshell marvel in the year’s most haunting film – Nashville Film Festival [Grade: A]
Review: Madonna’s ‘Madame X’ isn’t the concert film its tour—or star—deserves [Grade: B-]
‘South of Heaven’ review: A serious Jason Sudeikis can’t lasso up the dramatic chops to save contrived story [Grade: C]
NYFF Review: ‘Unclenching the Fists’ in an uncompromising tale of female resistance from Cannes winner Kira Kovalenko [Grade: B]
NYFF Review: Radu Jude’s subversive ‘Bad Luck Banging or Loony Porn’ is a sex tape satire with an explosive climax [Grade: A-]
76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)