Venice Film Festival

Venice Review: Adam Driver and Jodie Comer shine but ‘The Last Duel’ is diminished by an uneven script and skewed perspective [Grade: C]

Cinema has often interrogated on the power and meaning of truth. What is it? How do we get to it?… Read More

September 10, 2021

Venice Review: Quentin Tarantino pays tribute to Sergio Corbucci, the second-greatest spaghetti western director, in ‘Django & Django’ [Grade A-]

The literal dream documentary for every film buff, especially those who take a distinct interest in the spaghetti western side… Read More

September 9, 2021

Venice Review: David Gordon Green expands the limits of trauma with ‘Halloween Kills’ [Grade: B]

‘Evil dies tonight’, or tomorrow – that’s the motto uttered at some point by every single character in Halloween Kills,… Read More

September 8, 2021

Venice Review: Audrey Diwan’s abortion drama ‘Happening (L’Événement)’ bares all but leaves its lead an empty vessel [Grade C-]

The initial idea for Audrey Diwan’s Happening (L’Événement) came from a famous French autobiographical novel, written by Annie Ernaux in… Read More

September 6, 2021

Venice Review: Ana Lily Amirpour’s ‘Mona Lisa and the Blood Moon’ is a vibrantly stylish, yet uneven ride [Grade C+]

Ana Lily Amirpour’s latest film, after a five-year absence due to her venturing into the world of TV, will take… Read More

September 6, 2021

Venice Review: Tim Roth and Charlotte Gainsbourg seethe in the Mexican heat of Michel Franco’s ‘Sundown’ [Grade: B]

Michel Franco returns to the Lido just one year after his New Order won the Silver Lion Grand Jury Prize,… Read More

September 5, 2021

Venice Review: ‘Scenes from a Marriage’ is a worthy retread with staggering performances from Oscar Isaac and Jessica Chastain [Grade: B+]

It’s not common for me to advise readers to watch a 294-minute limited series in one go. But Scenes from… Read More

September 4, 2021

Venice review: ‘True Things’ cements Harry Wootliff as the master of new British drama [Grade: A-]

Three years after premiering her BAFTA-nominated debut feature, Only You, British filmmaker Harry Wootliff returns to the festival circuit with… Read More

September 4, 2021

Venice review: Isabelle Huppert rivets in this razor-sharp political drama, ‘Promises (Les promesses)’ [Grade B+]

Isabelle Huppert battles to keep her place in the mayoral office in Thomas Kruithof's Les Promesses, also known by its… Read More

September 3, 2021

Venice Review: With ‘The Lost Daughter,’ Maggie Gyllenhaal exposes mother-daughter relations in their vile, discomforting essence [Grade: B]

Leda, a middle-aged comp-lit professor, arrives at a lavish Greek island accompanied solely by her books. Played by an overwrought… Read More

September 3, 2021

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