In 1972, Munich hosted the Summer Olympic Games. At the time, Germany was separated into two factions; East Germany, under the influence of a communist... Read More
Venice Film Festival
Thirty six years have passed since audiences were introduced to the weird and wonderful mind of filmmaker Tim Burton. His sophomore feature Beetlejuice – a... Read More
Małgorzata Szumowska and Michał Englert have frequently made reference to Poland’s lack of progress with regards to LGBT rights – the lone EU member state... Read More
“Mom, I have to go. Look where we live, our house is coming down.” These are the words Seydou, the protagonist of Matteo Garrone’s Io... Read More
‘You will devote your life to conquering death’: so is foretold to the titular protagonist of Giorgio Diritti’s Lubo (Franz Rogowski) before he embarks on... Read More
If there was a theme for the 2023 Venice Film Festival lineup it would most certainly be hitmen. This year Venice attendees have been given... Read More
Examining non-fictional source material through its process of creation is always a fascinating endeavour. Ava DuVernay has adapted Pulitzer Prize-winning journalist and author Isabel Wilkerson’s... Read More
Ryûsuke Hamaguchi’s latest has a peculiar backstory. It was originally intended to be paired with singer Ishibashi Eiko’s live performances of her new songs. But... Read More
The subject of hitmen has been a common theme in the Venice lineup this year. Audiences have been treated to the neo-noir thriller from David... Read More
“They have been watching us for 10 years. No one did anything,” bitterly remarks Syrian refugee Bashir (Jalal Altawil) when asked by activists to show... Read More

‘September 5’ Review: Tim Fehlbaum’s Take on the 1972 Munich Olympics Massacre Fails in its Presentation of Palestinian People | Venice
‘Beetlejuice Beetlejuice’ Review: The Juice is Back But Will This Legacy Sequel Quench Anybody’s Thirst? | Venice
‘Woman Of…’ Review: Małgorzata Szumowska and Michał Englert Manage a Delicate Balancing Act in Portrayal of Trans Life in Poland | Venice
‘lo Capitano’ Review: Garrone’s Migrant Story is Well Intentioned but Ultimately Slight | Venice
‘Lubo’ Review: Franz Rogowski is Extraordinary in Giorgio Diritti’s Sometimes Brutal Work | Venice
‘In the Land of Saints and Sinners’ Review: Liam Neeson Does his Usual Liam Neeson Thing in this Middling Action Thriller | Venice
‘Origin’ Review: Aunjanue Ellis-Taylor’s Stunning Performance Drives Ava DuVernay’s Story of the American Caste System | Venice
‘Evil Does Not Exist’ Review: Ryûsuke Hamaguchi Delivers with a Simple and Authentic Slow Burner | Venice
‘Hit Man’ Review: Richard Linklater’s Latest is a Total Hit…Man | Venice
‘Green Border’ Review: Agnieszka Holland’s Devastating and Incisive Portrait of the Belarus-Poland Refugee Crisis | Venice
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10