Sundance Review: Riley Stearns’ sci-fi satire ‘Dual’ gives us a killer double dose of Karen Gillan [Grade: B+]
Riley Stearns was one of my favorite discoveries at SXSW 2019. Nearly every writing and directing decision in The Art of Self-Defense was on my... Read More
Reviews
Sundance Review: The cute and quirky ‘Cha Cha Real Smooth’ glides right into your heart with pitch perfect performances from Cooper Raiff and Dakota Johnson [Grade: A]
At a certain point in our lives, we’ve fallen in love. Could happen at a young age, as it does for Andrew (Javien Mercado), at... Read More
Sundance Review: In Andrew Semans’ tense and terrifying ‘Resurrection,’ Rebecca Hall gets under your skin [Grade: A]
In an opening scene of Resurrection, a film by writer/director Andrew Semans, premiering at Sundance Film Festival, Margaret, played by Rebecca Hall, counsels a young... Read More
Sundance Review: James Ponsoldt’s ‘Summering’ is an adventurously fanciful but cold tale of childhood [Grade: C]
It begins with a scene akin to a horror film when the protagonist faces the worst nemesis. Three girls are sitting in a bathtub huddled... Read More
Sundance Review: Regina Hall and Sterling K. Brown preach a committed yet familiar gospel in church satire ‘Honk for Jesus, Save Your Soul’ [Grade: B-]
“You’ve got to be strong to be a First Lady.” That’s a line stated by Trinitie Childs (Regina Hall) early on in Adamma Ebo’s feature... Read More
Sundance Review: Mariama Diallo’s ‘Master’ balances horrors real and imagined in the world of institutionalized academic racism [Grade: B]
Mariama Diallo’s debut feature Master begins as most coming of age college films do, with orientation and getting to know the place our characters have... Read More
Sundance Review: ‘Sirens’ follows Lebanon’s first all-woman metal band screaming their way to success [Grade: B]
Slave to Sirens only exists at nightfall. When the sun dips over the horizon, Lebanon’s first all-woman metal band emerges from their daytime existence to... Read More
Sundance Review: A career-best performance from John Boyega and a farewell to Michael Kenneth Williams highlight true-life hostage thriller ‘892’ [Grade: B]
Every day, soldiers come home from across the world and face a common, harsh reality; that after years of dedicated service to their country, we... Read More
Sundance Review: Kogonada’s emotionally rich ‘After Yang’ is destined to be one of the year’s best films [Grade: A]
After Yang, director Kogonada’s highly anticipated follow up to his 2017 indie darling Columbus, starts with a Jake (Colin Farrell), Kyra (Jodie Turner-Smith), and their... Read More
Sundance Review: Where ‘Watcher’ lacks in originality, it more than makes up for with a thrilling central performance from Maika Monroe [Grade: B+]
Many thrillers try too hard to be original. They try to incorporate a twist to their intriguing premise. They throw a curveball at the midpoint... Read More
41st Casting Society Artios Awards (CSA): ‘Sinners,’ ‘Jay Kelly,’ ‘The Pitt,’ ‘The Studio’ and More 
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater Becomes Second American-born Filmmaker to Win Best Director 
A Guide to the 2026 Oscar-Nominated Documentary Short Films 
A Guide to the 2026 Oscar-Nominated Live Action Short Films