Film Review: ‘Chaos Walking’ is a bit more coherent than its title suggests
The YA film has no intention of dying anytime soon. It may have slowed its roll in recent years, but because the publishing industry still... Read More
Reviews
Berlin Review: Céline Sciamma’s ‘Petite Maman’ starts a tender new chapter in a life cycle of girlhood
Céline Sciamma has a tradition with names. Water Lilies‘ Marie, Girlhood‘s Marieme, and Portrait of a Lady on Fire‘s Marianne all share variants of the... Read More
Berlin Review: Things left unsaid makes Hong Sangsoo’s minimal ‘Introduction’ sing
The Korean auteur Hong Sangsoo shook up last year’s Berlinale competition with the unexpected comedic notes of the otherwise pensive The Woman Who Ran, a... Read More
Berlin Review: Dan Stevens is a perfectly dreamy robot in Maria Schrader’s delightful sci-fi romance of ‘I’m Your Man’
It’s a widely held belief that the earliest composed texts by mankind were of administrative nature. Tablets in Cuneiform scripts as early of approximately 3200... Read More
Film Review: ‘Raya and the Last Dragon’ is a personal, pulse-pounding adventure
Kumandra, the setting of Raya and the Last Dragon, is fictional, but it is also not. It is not on any map, but one can... Read More
Retrospective: Worst Picture/Best Picture – ‘Swept Away’ and ‘Chicago’ (2002)
“More than any other example in recent memory, Chicago shows how much the element of surprise is missing from today’s movies.” – Mike Clark, USA... Read More
Film Review: ‘Tom & Jerry’ somehow makes New York less interesting with animated characters
There’s maybe one scene in all of Tom & Jerry that at least partly measures up to the catchy formula of the Hanna Barbera cartoons.... Read More
Film Review: Keith Thomas’ debut ‘The Vigil’ is a visceral, shomer scare
You can’t run away from your past. Your past is always there, over your shoulder, like the monster in a scary movie — spin your... Read More
Retrospective: Worst Picture/Best Picture – Freddy Got Fingered and A Beautiful Mind (2001)
“This film not only left me with an incredible sense of dread for the 80 minutes of my life wasted on this repulsive experience, but... Read More
TV Review: ‘Behind Her Eyes’ is Netflix at its best, worst, and most WTF
The mad, chaotic energy of Behind Her Eyes feels almost like a practical joke, the kind of prank you’d expect to end with an epilogue... Read More
2024 Camerimage Film Festival: Danish Oscar Entry ‘The Girl With the Needle’ Wins Golden Frog 
Interview: ‘Gladiator II’ Cinematographer John Mathieson on Reuniting with Ridley Scott and Continuing the Legacy and Lore 
Interview: Alan Menken and Glenn Slater on Creating the Songs and Score for ‘Spellbound’ and the “Perfectly” Cast Rachel Zegler 
2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (November)