‘Training Day’ at 20: Welcome back to the jungle [Retrospective]
Twenty years since it first hit theaters, Training Day (2001) is likely best remembered as the film that netted Denzel Washington his first Oscar win... Read More
Reviews
NYFF Review: ‘Belle’ (竜とそばかすの姫) will make your heart sing [Grade: A-]
The virtual world in Belle is called “U,” as in it specializes in “you” and what makes each and every person distinctively them. Though the... Read More
‘Bound’ at 25: The mold-breaker of queer cinema still has us tied up after all these years [Retrospective]
As the world awaits the return of the groundbreaking Matrix film franchise in December, it’s worth taking a moment to celebrate the 25th anniversary this... Read More
NYFF Review: Cinema just took a huge dose of adrenaline with ‘Titane’ and gasped for air [Grade: A]
It’s probably better for you as a moviegoer to just take my word for it and go see Titane as blind as possible. There are... Read More
‘The Starling’ review: Theodore Melfi’s breakup dramedy flies on a broken wing [Grade: C-]
Melissa McCarthy and Theodore Melfi have shared similarities in their bodies of work. Both getting their names and work known through comedic roots, both would... Read More
NYFF Review: Engrossing ‘Prism’ doc examines how photographic technologies favor white skin, questions the “neutral camera” [Grade: A]
Eléonore Yameogo, An van Dienderen, Rosine Mbakam’s Prism may spark an entirely new conversation about racial bias in filmmaking, namely the “problem” of calibrating non-white skin tones.... Read More
‘The Tragedy of Macbeth’ NYFF review: A beautiful film, full of sound and fury, signifying nothing [Grade: B]
Joel Coen’s The Tragedy of Macbeth premiered at the New York Film Festival with little fanfare—a morning screening, a press conference with COVID-induced microphone restrictions,... Read More
‘My Own Private Idaho’ at 30: Revisiting the seminal arthouse indie through the eyes of a lonely, horny teenager [Retrospective]
To this day, I still feel a close kinship with the disenfranchised, strung-out, narcoleptic gay hustler of Gus Van Sant’s My Own Private Idaho. The... Read More
TV Review: With ‘Foundation,’ AppleTV finds its ‘Game of Thrones’ [Grade: A]
A trilogy first published in the 1950s, Isaac Asimov’s sprawling narrative spans millennia, follows tyrannical galactic dynasties, imagines opaque and cult-like religions, depicts advanced technology... Read More
Previously on…”Survivor” recap: S41 E1 – “Come on in, folx”
It’s been 16 months since the last episode of U.S. Survivor, and Jeff Probst and company aren’t pretending otherwise. From the start of the Survivor... Read More
‘I Want Your Sex’ Review: Cooper Hoffman and Olivia Wilde Get Natural and Habitual in Gregg Araki’s Surprisingly Insightful Dom-Com [B+] | Sundance 
Denver Film Critics Society (DFCS) Awards: ‘Sinners’ Tops Wins with Film and Director 
‘The Moment’ Review: Charli xcx is brat+ in Trappings of Fame Mock Doc [B] | Sundance 
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions