In the act of being completely transparent, Sunday’s episode of Mare of Easttown stopped me completely in my tracks. In a genre where even the best-written... Read More
Reviews
On the success of the Oscar-winning breakout Moonlight and his follow-up If Beale Street Could Talk, Barry Jenkins has become one of contemporary cinema’s most... Read More
In a sea of shows with identical premises, one can sneak up on you in the best way possible, and such is the case with... Read More
Who knew that all someone needed to have the best new comedy of 2021 was a Grammy winner, a Tony winner, an Emmy winner, a... Read More
As this week marks the 10th anniversary of the release of the now-legendary comedy Bridesmaids, there is no more perfect moment for Golden Arm, a... Read More
Theo Anthony’s experimental documentary All Light, Everywhere confronts you with images you might not want to see: An inside look at someone’s sinewy optic nerve;... Read More
There is just something about Tom Clancy novels and their adaptations that never seem to fully work in the modern era of cinema. In the... Read More
According to Hollywood, there is no character as interesting, sexy, mysterious or cinematic as a professional assassin. An incredibly large percentage of action movies feature... Read More
Bloodthirsty, the new film directed by Amelia Moses (Bleed with Me), and written by Wendy Hill Tout, and Lowell follows Grey Kessler (Lauren Beatty) is... Read More
Addiction has always made for some visceral storytelling. From Trainspotting and Requiem for a Dream to Girl, Interrupted and 28 Days to When A Man... Read More

‘Mare of Easttown’ recap: Episode 3 – “Enter Number Two”
‘The Underground Railroad’ review: Barry Jenkins adapts the Pulitzer Prize winner with poignant grace
‘Hacks’ review: tackling sexism and punchlines with acerbic wit, this is one of the year’s best shows
‘Girls5Eva’ review: Don’t call it a comeback (it’s a comeback) but this girl-group comedy is an absolute banger
‘Golden Arm’ review: the ‘Bridesmaids’ of sports comedies with a breakout performance from Betsy Sodaro
New Directors/New Films Festival Review: ‘All Light, Everywhere’ teaches us how to see
‘Tom Clancy’s Without Remorse’ review: Michael B. Jordan is a highlight in a battlefield of well-trodden territory
‘The Virtuoso’ review: a lazy, dull hitman saga that could have killed Anthony Hopkins’ Oscar chances
‘Bloodthirsty’ review: The vegetarian lesbian werewolf movie you’ve been waiting for
‘Four Good Days’ review: Mila Kunis rises above a woefully clichéd drug addiction story
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
A Guide to the 2026 Oscar-Nominated Animated Short Films
‘DTF St. Louis’ Review: Jason Bateman and David Harbour Star in Sex and Death Mystery That’s Mostly Flaccid [D]