A Knight’s Tale was my first theatrical surprise. My mother dragged me to the multiplex in late May of 2001, kicking and screaming all the... Read More
Reviews
Truth may be stranger than fiction, but that doesn’t mean it’s always a story worth telling. Or, in the case of the new film, Above... Read More
In the act of being completely transparent, Sunday’s episode of Mare of Easttown stopped me completely in my tracks. In a genre where even the best-written... Read More
On the success of the Oscar-winning breakout Moonlight and his follow-up If Beale Street Could Talk, Barry Jenkins has become one of contemporary cinema’s most... Read More
In a sea of shows with identical premises, one can sneak up on you in the best way possible, and such is the case with... Read More
Who knew that all someone needed to have the best new comedy of 2021 was a Grammy winner, a Tony winner, an Emmy winner, a... Read More
As this week marks the 10th anniversary of the release of the now-legendary comedy Bridesmaids, there is no more perfect moment for Golden Arm, a... Read More
Theo Anthony’s experimental documentary All Light, Everywhere confronts you with images you might not want to see: An inside look at someone’s sinewy optic nerve;... Read More
There is just something about Tom Clancy novels and their adaptations that never seem to fully work in the modern era of cinema. In the... Read More
According to Hollywood, there is no character as interesting, sexy, mysterious or cinematic as a professional assassin. An incredibly large percentage of action movies feature... Read More

Retrospective: After 20 years, ‘A Knight’s Tale’ has yet to change its stars with critics, and that’s a shame
‘Above Suspicion’ review: Jack Huston and Emilia Clarke star in a sex thriller throwback that’s beneath them both
‘Mare of Easttown’ recap: Episode 3 – “Enter Number Two”
‘The Underground Railroad’ review: Barry Jenkins adapts the Pulitzer Prize winner with poignant grace
‘Hacks’ review: tackling sexism and punchlines with acerbic wit, this is one of the year’s best shows
‘Girls5Eva’ review: Don’t call it a comeback (it’s a comeback) but this girl-group comedy is an absolute banger
‘Golden Arm’ review: the ‘Bridesmaids’ of sports comedies with a breakout performance from Betsy Sodaro
New Directors/New Films Festival Review: ‘All Light, Everywhere’ teaches us how to see
‘Tom Clancy’s Without Remorse’ review: Michael B. Jordan is a highlight in a battlefield of well-trodden territory
‘The Virtuoso’ review: a lazy, dull hitman saga that could have killed Anthony Hopkins’ Oscar chances
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]