AwardsWatch - Reviews

Film Review: ‘Birds of Prey’ is no joke, it’s a kick-ass manifesto to an unspoken feminism

Catherine Springer February 5, 2020

Who knew that there was such a need for a sequel to Suicide Squad? The film that became a punchline and seemed to symbolize the... Read More

Film Review: ‘The Lodge’ is traumatically delicious

Jason Adams February 5, 2020

There’s an exchange in Frank Darabont’s film The Mist where two characters trapped in a supermarket at the end of the world discuss whether having faith in... Read More

Sundance Review: Lee Isaac Chung’s ‘Minari’ is a poetic and heartfelt masterwork

Clint Worthington February 1, 2020

One of the joys of minari, mischievous grandmother Soonja (Yuh-Jung Youn) tells her equally impish 7-year-old grandson David (Alan Kim), is that the Korean herb... Read More

Sundance Review: Despite good performances ‘The Glorias’ can’t liberate itself from convention

Joshua Encinias January 30, 2020

The Glorias, directed by Julie Taymor based on the book “My Life on the Road” by Gloria Steinem, shows the confluence of “Glorias” who powered... Read More

Film Review: ‘Gretel & Hansel’ is a mixed bag of tricks and treats

Jason Adams January 30, 2020

Alongside American popular culture’s regression into a seemingly single-minded fixation on superhero storytelling and the live-actioning of animated features there’s been a third, darker strand... Read More

Film Review: ‘The Rhythm Section’ is way off beat

Catherine Springer January 29, 2020

Revenge has largely been a male domain in Hollywood, but, lately, there have been plenty of movies featuring female characters seeking to right some very... Read More

Sundance Review: ‘The Last Shift’ is a contrived, entry level effort

Clint Worthington January 29, 2020

This may be my first year actually attending the Sundance Film Festival, but I know the hallmarks of the “Sundance film” when I see one.... Read More

Sundance Review: ‘The Nest’ is an astounding showcase for Carrie Coon

Clint Worthington January 29, 2020

Sean Durkin returns nine years after Martha Marcy May Marlene with a tension-filled slow burn “What do you do for a living?” a cab driver... Read More

Sundance Review: ‘Miss Juneteenth’ avoids tropes to find truth in the Black experience

Valerie Complex January 29, 2020

Nicole Beharie establishes herself as one of Hollywood’s most underrated talents with her strong and heartfelt performance as Turquoise Jones in Channing Godfrey Peoples first... Read More