Coming out of the closet can be a relieving experience. When you finally reveal your true self to the world, it means taking a huge... Read More
Matt St. Clair
Matt is a New England-based freelance journalist who lives and breathes the world of cinema and has been an Oscar watcher since the age of eight. His writing can be found on outlets such as The Film Experience, Roger Ebert, Digital Spy, and Slashfilm. He is also a Rotten Tomatoes-approved critic and a Gay & Lesbian Entertainment Critics Association member. You can follow him on Twitter @filmguy619. (He/They)
While Russell Tovey was making the press rounds for Plainclothes, in an interview with IndieWire, he commented on the legacy of the HBO series Looking... Read More
Both the Internet and social media often serve as outlets for human connection. However, such platforms can simultaneously serve as a hellish dimension of questioned... Read More
After their extraordinary sophomore feature Wildhood, Bretten Hannem crafts another demonstration of being in touch with one’s own Indigenous heritage. One that is even more... Read More
After maintaining his scream king title recently thanks to projects like the Smile films and Strange Darling, Kyle Gallner makes a pivot to romantic anti-hero... Read More
People probably always say that a long-lasting love can feel like an eternal flame. Whether it’s with the person you’re currently with or a fling... Read More
Heroic groups are often brought together by a simple common goal to do good and save the world from evil. However, some are brought together... Read More
It’s safe to say that animated cinema has been very slow when it comes to LGBTQ+ representation. Thankfully, progress that’s been made in the past... Read More
It’s safe to say that moviegoers are experiencing major cases of Sinners fever. Between its immense critical acclaim and its bona fide success, making almost... Read More
It goes without saying that family is complicated. We all have at least one family member who causes us the utmost stress yet we choose... Read More

‘The Serpent’s Skin’ Review: Alice Maio Mackay’s Heart-Wrenching Supernatural Horror Romance Sparks with Visual Flair [A-]
Make it a Double Feature: ‘Plainclothes’ and ‘A Nice Indian Boy’
Make It a Double Feature: ‘Pulse (Kairo)’ and ‘Red Rooms’
‘Sk+te’kmujue’katik (At the Place of Ghosts)’ Review: A Narratively Ambitious Genre-Bending Tale of Familial Trauma [B] TIFF
‘Carolina Caroline’ Review: Kyle Gallner and Samara Weaving Rob and Throb in Old-School Crime Drama of Lovers on the Run [A-] TIFF
‘Erupcja’ Review: Everything is Pretty Romantic in this Kinetic Charli XCX Vehicle [B+] TIFF
Make it a Double Feature: ‘KPop Demon Hunters’ and ‘Thunderbolts*’
Make it a Double Feature: ‘The Mitchells vs. The Machines’ and ‘Nimona’
Make it a Double Feature: ‘Saloum’ and ‘Ganja & Hess’
‘My Uncle Jens’ Review: Brwa Vahabpour’s Feature Debut is an Effective Telling of a Complicated Family, Assimilation and Immigration (B+) | SXSW
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]