The Glorias, directed by Julie Taymor based on the book “My Life on the Road” by Gloria Steinem, shows the confluence of “Glorias” who powered... Read More
Reviews
Alongside American popular culture’s regression into a seemingly single-minded fixation on superhero storytelling and the live-actioning of animated features there’s been a third, darker strand... Read More
Revenge has largely been a male domain in Hollywood, but, lately, there have been plenty of movies featuring female characters seeking to right some very... Read More
This may be my first year actually attending the Sundance Film Festival, but I know the hallmarks of the “Sundance film” when I see one.... Read More
Sean Durkin returns nine years after Martha Marcy May Marlene with a tension-filled slow burn “What do you do for a living?” a cab driver... Read More
Nicole Beharie establishes herself as one of Hollywood’s most underrated talents with her strong and heartfelt performance as Turquoise Jones in Channing Godfrey Peoples first... Read More
My very first job interview when I moved to New York twenty years ago was to be the personal assistant to an award-winning and highly... Read More
Revenge is a dish served ice cold in Emerald Fennell’s directorial debut film premiering at Sundance 2020, Promising Young Woman. This film is more than... Read More
Not even half a dozen Oscar winners and nominees can save a story that manages to be both formulaic and convoluted “It’s just a hard... Read More
Eight years ago, writer/director Benh Zeitlin’s first feature film premiered at the Sundance Film Festival like lighting in a bottle. Beats of the Southern Wild... Read More

Sundance Review: Despite good performances ‘The Glorias’ can’t liberate itself from convention
Film Review: ‘Gretel & Hansel’ is a mixed bag of tricks and treats
Film Review: ‘The Rhythm Section’ is way off beat
Sundance Review: ‘The Last Shift’ is a contrived, entry level effort
Sundance Review: ‘The Nest’ is an astounding showcase for Carrie Coon
Sundance Review: ‘Miss Juneteenth’ avoids tropes to find truth in the Black experience
Film Review: Julia Garner is absolutely revelatory in Kitty Green’s taut, #MeToo drama ‘The Assistant’
Sundance Review: ‘Promising Young Woman’ wants to get rid of toxic in community
Sundance Review: ‘The Last Thing He Wanted’ plays like an awards season cast-off
Sundance Review: Benh Zeitlin’s ‘Wendy’ finds a director unable to grow up
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10