Romantic destination getaways are an undoubtedly bold move that can make or break any new relationship. Even during the happy-go-lucky honeymoon phase, they’re bound to... Read More
Reviews
The great hat extravaganza of 2025 is coming — that is, The Gilded Age is returning. It’s been close to two years since we’ve seen... Read More
When does an animated classic have a reasonable justification for being remade in live action? Is it when a fresh set of eyes brings a... Read More
Celine Song begins her lovely sophomore feature, Materialists, with a bit of a surprising artistic gamble. We’re surrounded by mountains in nature, and it’s oh... Read More
If the title From the World of John Wick: Ballerina didn’t clue you into what cinematic universe the film in question is set in (for... Read More
“My grandfather once said that happiness isn’t a story.” In the traditional folk song “Silver Dagger,” the lyrics go “All men are false, says my... Read More
In my final set of reviews from the 78th Cannes Film Festival, we’re taking a look at five films from three of the Festival’s sidebar... Read More
Are you a Carrie, a Miranda, a Samantha, or a Charlotte? Sex and the City first aired almost thirty years ago, and yet, find a... Read More
From boys to men, these three films look at a teen’s coming out, a man’s struggle with his darkest demons and two men who find... Read More
“The best way to criticize a film is to make one.” Jean-Luc Godard’s famous quote, among many others, finds its way early in Nouvelle Vague... Read More

‘Oh, Hi!’ Review: Logan Lerman is Shirtless While Molly Gordon Shines in Entertaining, Hilarious Screwball Comedy [B] | Tribeca
‘The Gilded Age’ Season 3 Review: Marriage, Money and Clocks Keep the High Society Drama Ticking [B+]
‘How to Train Your Dragon’ Review: Live-Action and CGI Remake Clutches Tight to the Original to Take Flight [C+]
‘Materialists’ Review: Love is Worth the Investment in Celine Song’s Refreshingly Modern Romance [B+]
‘From the World of John Wick: Ballerina’ Review: Ana de Armas Kicks an Adequate Amount of Ass in Recycled ‘Wick’ Leftovers [B-]
‘The History of Sound’ Review: Paul Mescal and Josh O’Connor’s Tender Romance is a Silver Dagger to the Heart [A-] Cannes
2025 Cannes Film Festival Reviews: ‘Eleanor the Great,’ ‘Miroirs No. 3,’ ‘A Pale View of Hills,’ ‘The Richest Woman in the World,’ and ‘Vie Privée’
‘And Just Like That…’ Season 3 Review: Sarah Jessica Parker Shines, but this ‘Sex and the City’ Spinoff Keeps Getting Carried Away [C+]
2025 Cannes Film Festival Reviews: ‘Enzo,’ ‘Urchin,’ ‘Pillion’
‘Nouvelle Vague (New Wave)’ Review: Richard Linklater Channels His Inner French Cinephile with Impeccably ‘Breathless’ Recreation [A-] Cannes
‘Mint’ Review: Ambition Outpaces Impact in ‘Snapper’ Director Charlotte Regan’s Stylish BBC Crime Drama Series [C+] Berlinale
‘17’ Review: Kosara Mitić’s Devastating Debut Exposes the Cost of Silence and Complicity [B] Berlinale
Vancouver Film Critics Circle (VFCC) Winners: ‘One Battle After Another,’ ‘Sinners’ Take Top Awards
Sundance Film Festival Announces 2027 Dates, Boulder Venues