Ben Gottlieb (Jason Schwartzman) is a cantor at a temple, but he’s hardly the best fit for his job at the moment because he just... Read More
Reviews
It’s 1987 in Oakland. Friends emerge from the movie theater discussing what they just saw and are immediately confronted by whistles and insults from a... Read More
Tarrell (André Holland) is a loving father to his young son Jermaine (Daniel Berrier) and a loyal husband to his wife Aisha (Andra Day). When... Read More
Edward (Sebastian Stan) lives a quiet life in an apartment building that’s falling apart. His face is highly disfigured, and while he acknowledges a childhood... Read More
Fresh off Plane Jane’s win last week, the Queens file into the Werkroom so that their seven sisters from the first week can come in... Read More
Sujo, premiering in the 2024 Sundance Film Festival’s World Dramatic Competition, is the third feature collaboration between Astrid Rondero and Fernanda Valadez. Their previous film,... Read More
Stress Positions, the first feature from writer-director-actor-composer-editor Theda Hammel, isn’t concerned about being likable. The setting — New York City at the frightening start of... Read More
Hershii LiqCour Jeté comes in first to start the night off, which is never great! I just think it can’t be fun to walk in... Read More
The Book of Clarence is British writer and director Jaymes Samuel’s third feature film and first departure from Westerns after 2013’s They Die By Dawn... Read More
“What’s wrong with me?” sings Gretchen Wieners (Bebe Wood) about 30 minutes into Mean Girls, the new film adaptation of the stage musical, which is... Read More

‘Between the Temples’ Review: Jason Schwartzman and Carol Kane Navigate Religion, Purpose, and Life in Nathan Silver’s Screwball Comedy | Sundance 2024
‘Freaky Tales’ Review: Anna Boden and Ryan Fleck Deliver An Epic Sampling of Violence and Victory in a Supercharged Oakland | Sundance 2024
‘Exhibiting Forgiveness’ Review: André Holland and John Earl Jelks Powerfully Delve into the Complexities of Father-Son Trauma in Titus Kaphar’s Poignant Feature Debut | Sundance 2024
‘A Different Man’ Review: Impressive Performances from Sebastian Stan and Adam Pearson Highlight Aaron Schimberg’s Thought-Provoking Look at the Masks We All Wear | Sundance 2024
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‘Stress Positions’ Review: Pandemic-Era Disaster Gays Provide More Cringe Than Comedy | Sundance 2024
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‘The Book of Clarence’ Review: Jaymes Samuel’s Personal Jesus Needs to Separate the Wheat from the Chaff
‘Mean Girls’ Review: Reneé Rapp Shines but this Plastic is not Fantastic
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