‘Wicked Little Letters’ Review: Foxy Ass Fun That Doesn’t Go Quite Far Enough
Few people in the movies curse quite as effectively as Olivia Colman, and casting her as the demure rival to an out-spoken, potty mouthed neighbor... Read More
Alistair Ryder
‘La Traviata, My Brothers & I’ review: Yohan Manca’s winsome family drama is a winning debut feature [Cannes Review]
After a year off, Cannes has returned with a lineup that’s an embarrassment of riches, seemingly designed to make even the most jaded cinephile feel... Read More
Amplify! Film Fest review: Viggo Mortensen’s directorial debut ‘Falling’ is misguided and reductive
It’s truly remarkable just how much Viggo Mortensen has mellowed out over time. After reinventing himself as a darling of the gritty arthouse following the... Read More
LFF Review: ‘Soul’ is consistently charming even as it treads familiar ground
Despite manufacturing more thankless sequels than original films, Pixar’s name has only become increasingly synonymous with emotionally charged storytelling in the past decade – and... Read More
Film Review: Under familial weight, Brandon Cronenberg’s ‘Possessor’ doesn’t cast the spell it needs to
With his penchant for the same brand of body horror as his father’s early work, it remains a near impossible task to review Brandon Cronenberg’s... Read More
Interview: With the Tennis Romance ‘Challengers,’ Writer Justin Kuritzkes Serves Up the Hottest Film of the Year 
84th Peabody Awards Nominations for Documentary, News, Public Service, Radio/Podcast Announced 
2024 Cannes Film Festival: Immersive Program Features Cate Blanchett, Jessica Chastain, Colin Farrell and More 
‘Boy Kills World’ Review: An Often Hilarious, Weirdly Heartwarming, Violent Dystopia Void of Ideology
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