The Original Final Girl: An ode to Laurie Strode and the end of ‘Halloween’
Burn your Laura Dern in Jurassic Park costume, turn off Hocus Pocus and throw your candy in the damn river because Halloween Ends (ended?) on... Read More
Reviews
‘Jackass: The Movie’: 20 years later, the era of the teenage dirtbag lives on, concussions be damned
‘Jackass: The Movie’: 20 years later, the era of the teenage dirtbag lives on, concussions be damned
The Jackass film franchise is now twenty years old. With four films under their belt (plus three extra bonus feature films and a handful of... Read More
‘Please Baby Please’ review: A stylized, liberated 1950’s underground fever dream that redefines traditional gender norms | NewFest
Musicals from the 1950’s immediately conjure up vibrant images of guidos serenading girls in poodle skirts or elegant leading ladies dancing elaborate numbers in a... Read More
‘Aftersun’ review: Paul Mescal and Frankie Corio are mesmerizing as a father and daughter in limbo in Charlotte Wells’s extraordinary debut
In the opening minutes of Aftersun, a camcorder goes back through footage, stopping on a young girl asking her father, in the middle of showing... Read More
‘Mama’s Boy’ review: Dustin Lance Black doc just barely balances line between being uplifting and a stilted vanity project | NewFest
In 2009, at the age of 34, Dustin Lance Black won an Oscar for his screenplay for the Harvey Milk biopic Milk. In his acceptance... Read More
‘Lady Chatterly’s Lover’ review: Little to love beyond Emma Corrin and Jack O’Connell’s performances in Laure de Clermont-Tonnerre’s listless adaptation | LFF
A spirit of thoughtless anachronism looms over Laure de Clermont-Tonnerre’s Lady Chatterley’s Lover, Netflix’s crude and cynical attempt at seeing if some of the steam... Read More
‘Inland’ review: Mark Rylance enchants in this realistic yet enigmatic folklore-influenced directorial debut from Fridtjof Ryder | LFF
English writer-director Fridtjof Ryder’s directorial debut is a taut, well-made micro budget feature. After a successful crowdfunding campaign and production moving ahead, Ryder’s film caught... Read More
‘No Bears’ review: Jafar Panahi turns the camera on himself in powerful, subtly playful examination of limits personal, political and artistic | LFF
The remarkable prolificacy of Iranian filmmaker Jafar Panahi, and the even-more-remarkable spirit of subversiveness that has only burgeoned in his work since his arrest and... Read More
‘Personality Crisis: One Night Only’ review: Martin Scorsese music doc looks at the absurd and the sublime of elusive, forever cool New York Dolls frontman David Johansen | NYFF
Martin Scorsese has a knack for documenting New York institutions and illustrating the inner lives of the city’s singular characters. From the brash young Mafiosi... Read More
‘Return to Seoul’ review: Park Ji-Min’s astonishing turn as a magnetic adoptee anchors Davy Chou’s compelling search for meaning | NYFF
Adoption, as a process, has many intricacies, and one of them is the loopholes it leaves open for someone who has been adopted to later... Read More
Frontrunner Friday 2025 Oscar Predictions: Should Auld Predictions Be Forgot? 
2024 Austin Film Critics Association (AFCA Nominations 
2025 BAFTA Longlist Predictions: Expect Big Numbers for ‘The Brutalist,’ ‘Emilia Pérez,’ ‘Kneecap’ and More 
‘Squid Game’ Season 2 Review: It’s Big Bucks, All Whammies in Failed Follow Up to One of TV’s Best First Seasons [C-]