‘I Saw the TV Glow’ Review: Jane Schoenbrun Explores the Dark Sides of Nostalgia in Their Standout Sophomore Feature | Berlinale 2024
Writer-director Jane Schoenbrun shook the film world with We’re All Going to the World’s Fair three years ago. In a swift move, the film announced... Read More
Reviews
‘Cuckoo’ Review: Hunter Schafer takes on Dan Stevens in Tone Shifting Horror/Thriller Set in the German Alps | Berlinale 2024
We’ve all been eager to see Hunter Schafer in her first film role as a leading lady and now that the wait is over… we... Read More
RuPaul’s Drag Race Recap S16E8: Breaking (Nymphia) Wind
Now that Mhi’ya has proven herself as a self-proclaimed lip sync assassin, she moves on to reading everyone around her. Starting almost as soon as... Read More
‘Black Tea’ Review – Abderrahmane Sissako Returns with a Masterful Exploration of Cultural Identity | Berlinale 2024
Director Abderrahmane Sissako (the Oscar-nominated Timbuktu) returns after a 10-year hiatus with Black Tea, a sublime and meaningful exploration of cultural identity, freedom and growing... Read More
‘Spaceman’ Review: Adam Sandler and Carey Mulligan Are the Star-Crossed Lovers We Didn’t Know We Needed | Berlinale 2024
More than just another film about an astronaut, Spaceman is here to give a new meaning to the phrase star-crossed lovers. Swedish director Johan Renck... Read More
‘Drive-Away Dolls’ Review: Margaret Qualley and Geraldine Viswanathan Hit the Road in Ethan Coen’s Raunchy and Rowdy B-Movie
When two acclaimed artists in a partnership split creatively, their first solo projects are often indicative of their individual input in their prior collaborations as... Read More
‘Dune: Part Two’ Review: Villeneuve Can’t Make 2 Become 1 With His Uneventful Spice World Epic
There is something fundamentally terrifying about someone being branded as a messiah. A prophecy was written in stone long before they existed, only for their... Read More
‘Love Lies Bleeding’ Review: Kristen Stewart and Katy O’Brian Will Set Your World on Fire in Rose Glass’ Psychosexual Revenge Thriller | Berlinale 2024
All of you Saint Maud apologists, rejoice, for British rising star Rose Glass is back. Nothing screams comeback louder than a queer romance thriller where... Read More
‘Hors du Temps (Suspended Time)’ Review – Olivier Assayas’ Truffaut-Inspired Film Reinvigorates the Lockdown Formula | Berlinale 2024
Olivier Assayas returns to cinema, after remaking Irma Vep with Alicia Vikander for Max, with a reflexive film about the life of a filmmaker in... Read More
‘Sasquatch Sunset’ Review – Riley Keough Monkeys Around in Hilarious and Fascinating Gross-Out Comedy | Berlinale 2024
Without a doubt, Sasquatch Sunset is a one-of-a-kind film that will surprise audiences around the world. No one is prepared for what Damsel directors David... Read More
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-] 
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+] 
‘They Will Kill You’ Review: Zazie Beetz’s Final Girl Slays in Gonzo Satanic Slasher [B+] SXSW 
American Film Institute (AFI) Announces 2027 Date for AFI AWARDS Honorees-Only Event