‘Please Baby Please’ review: A stylized, liberated 1950’s underground fever dream that redefines traditional gender norms | NewFest
Musicals from the 1950’s immediately conjure up vibrant images of guidos serenading girls in poodle skirts or elegant leading ladies dancing elaborate numbers in a... Read More
Reviews
‘Aftersun’ review: Paul Mescal and Frankie Corio are mesmerizing as a father and daughter in limbo in Charlotte Wells’s extraordinary debut
In the opening minutes of Aftersun, a camcorder goes back through footage, stopping on a young girl asking her father, in the middle of showing... Read More
‘Mama’s Boy’ review: Dustin Lance Black doc just barely balances line between being uplifting and a stilted vanity project | NewFest
In 2009, at the age of 34, Dustin Lance Black won an Oscar for his screenplay for the Harvey Milk biopic Milk. In his acceptance... Read More
‘Lady Chatterly’s Lover’ review: Little to love beyond Emma Corrin and Jack O’Connell’s performances in Laure de Clermont-Tonnerre’s listless adaptation | LFF
A spirit of thoughtless anachronism looms over Laure de Clermont-Tonnerre’s Lady Chatterley’s Lover, Netflix’s crude and cynical attempt at seeing if some of the steam... Read More
‘Inland’ review: Mark Rylance enchants in this realistic yet enigmatic folklore-influenced directorial debut from Fridtjof Ryder | LFF
English writer-director Fridtjof Ryder’s directorial debut is a taut, well-made micro budget feature. After a successful crowdfunding campaign and production moving ahead, Ryder’s film caught... Read More
‘No Bears’ review: Jafar Panahi turns the camera on himself in powerful, subtly playful examination of limits personal, political and artistic | LFF
The remarkable prolificacy of Iranian filmmaker Jafar Panahi, and the even-more-remarkable spirit of subversiveness that has only burgeoned in his work since his arrest and... Read More
‘Personality Crisis: One Night Only’ review: Martin Scorsese music doc looks at the absurd and the sublime of elusive, forever cool New York Dolls frontman David Johansen | NYFF
Martin Scorsese has a knack for documenting New York institutions and illustrating the inner lives of the city’s singular characters. From the brash young Mafiosi... Read More
‘Return to Seoul’ review: Park Ji-Min’s astonishing turn as a magnetic adoptee anchors Davy Chou’s compelling search for meaning | NYFF
Adoption, as a process, has many intricacies, and one of them is the loopholes it leaves open for someone who has been adopted to later... Read More
‘She Said’ review: Maria Schrader goes on the record with an empathetic story of womens’ courage | NYFF
Picture it: it’s 1992 in Ireland, and a young woman in her early twenties walks along the beach only to stumble upon a group of... Read More
‘Halloween Ends’ review: David Gordon Green kills, and takes risks in this soon-to-be-divisive Laurie Strode send-off
Jamie Lee Curtis has been speaking a lot about what this new Halloween trilogy has meant to her, in the wake of Halloween Ends. It’s... Read More
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists 
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards 
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award 
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10