Mike Flanagan, creator of The Haunting of Hill House, Bly Manor and Midnight Mass, continues his winning streak with Netflix as his latest delivers the startling scares, atmosphere and... Read More
Reviews
Each film festival season brings with it at least one title that charms with the charisma of its child actors. Carla Simón’s Alcarràs, which comes... Read More
The new Hellraiser reboot is a textbook example on how to remake or reboot a classic. Keep the same scenario as the original while putting... Read More
If you were a certain kind of teenager in 2012, The Perks of Being a Wallflower would’ve been your Bible. It defined how it felt... Read More
Opening with a “special thanks” immediately preceding a reverse order roll of the end credits may seem like a peculiar choice for any film, let... Read More
The brutal murder of Emmett Louis Till made headlines around the world 1950s America. People were aware that Black people in the U.S. were being... Read More
When the pandemic hit the U.S., my fear of death oddly became most apparent when I would venture out to the grocery store. Strange, I... Read More
Juan Diego Botto’s directorial debut pulls no swings when it comes to social realism, it is a restless drama that follows a set of people... Read More
If a director is lucky enough to find success in Hollywood, chances are they will stick with whatever works – it’s the rare director who... Read More
The job of an investigative journalist is to dive deep into the fray, willing to get their hands dirty to undercover the truth of the... Read More

‘The Midnight Club’ review: Mike Flanagan scores again with YA horror full of kills and thrills [A]
‘Alcarràs’ review: Carla Simón’s family drama is a neorealist classic in the making [A] | NYFF
‘Hellraiser’ review: A chilling franchise reinvigoration with eerie visual flair that will have you on pins and needles [B]
‘The Perks of Being a Wallflower’ at 10: How Stephen Chbosky turned “We accept the love we think we deserve” into a teenage celebration of self [Retrospective]
‘TÁR’ review: Portrait of the Artist on Fire | NYFF [A]
‘Till’ review: Danielle Deadwyler is astounding in Chinonye Chukwu’s tribute to a mother’s courage and love [B+] | NYFF
‘White Noise’ review: Noah Baumbach creates a new American soundtrack with his ambitious adaptation of Don DeLillo’s iconic novel [B+] | NYFF
‘On the Fringe’ review: Juan Diego Botto’s directorial debut with Penélope Cruz is an ambitious but fractured effort [C] | Zurich
‘The Ice Storm’ retrospective: How Ang Lee’s 70s suburban American drama remains his most underrated masterpiece
‘Mister Organ’ review: Obsession take centerstage in David Farrier’s twisted documentary about an insidious liar [B] | Fantastic Fest
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10