I fell in love with Oscarwatching in the 90s – which was a magical time for me in regard to cinema. I began to cultivate... Read More
Reviews
When Mia begrudgingly attends a party at the start of Damien Chazelle’s magical, much-discussed film La La Land, she stares at her reflection in the... Read More
I can still remember walking out of the AMC theater in Framingham, Massachusetts after hearing U2’s powerful song The Hands That Built America and marveling... Read More
It seems as if for the past thirteen years, James Cameron’s technical marvel only found its way back into the conversation as “that movie that... Read More
It may be the ultimate personification of the current zeitgeist, but discussion and consideration of gender roles, identification and fluidity is not new, nor is... Read More
“C’mon, Oscar,” says Bette Davis in The Star (1952), clutching one of her own golden statuettes from the 1930s. “Let’s you and me get drunk!”... Read More
One of my favorite Christmas poems growing up goes, “‘Twas the night before Christmas, when all through the house, not a creature was stirring, except... Read More
Few nations have a good track record when it comes to their history with indigenous populations. Colonial beginnings are slowly giving way to a recognition... Read More
Though Netflix is hardly the end-all-be-all of teen dramas (that title more likely goes to the CW), the streamer has recently carved a niche for... Read More
A visit to the bar at the center of Mercedes Kane’s new documentary Art and Pep reveals how far Chicago’s LGBTQ community has come: Sidetrack’s... Read More

30 years later, does the ‘hoo-ah’ of Al Pacino’s Oscar win for ‘Scent of a Woman’ still smell as sweet? [Retrospective]
‘Babylon’ review: Here’s to the fools who dream; Damien Chazelle’s epitaph for cinema is the evil b-side to ‘La La Land’
‘Gangs of New York’ at 20: All the beauty and the bloodshed of Martin Scorsese’s 1860s New York City immigrant mobster tale still holds [Retrospective]
‘Avatar: The Way of Water’ review: James Cameron returns to Pandora and it’s bigger and better than ever
‘Tootsie’ at 40: Something’s telling me it might (still) be you – Retrospective
‘The Star’ retrospective: Bette Davis put the camp in Oscar campaign in the zenith of meta awards movies
‘Violent Night’ review: Merry Christmas to all, and to all a good fight
‘The Territory’ review: An intimate and invigorating look at the Amazon’s endangered indigenous Uru-eu-wau-wau community from their perspective
‘Wednesday’ review: Jenna Ortega’s snappy performance is the best thing about this paint-by-numbers teen drama
‘Art and Pep’ review: A celebratory chronicle of LGBTQ+ bar culture and its importance
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
Director Watch Podcast Ep. 149 – ‘Killer of Sheep’ (Charles Burnett, 1978)
‘Lee Cronin’s The Mummy’ Review: Careful the Spell You Cast, Children Will Listen (and Sometimes Kill) [C]