‘Dune,’ ‘Nightmare Alley,’ ‘A Quiet Place Part II’ lead Motion Picture Sound Editor (MPSE) nominations

The Motion Picture Sound Editors (MPSE) today announces nominees for the 69^th Annual MPSE Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation, computer entertainment, and student productions. 

Leading the way in feature film are Dune, The Matrix Resurrections, Nightmare Alley and A Quiet Place Part II  with three nominations apiece, in the categories of effects/foley, dialogue/ADR and music.  All of the films shortlisted for this year’s Oscar in sound received at least one MPSE nomination, including Belfast, Last Night in Soho, No Time to Die, The Power of the Dog, Spider-Man: No Way Home, tick, tick…BOOM! and West Side Story.

Television nominees for sound editing achievement were The Book of Boba Fett, Loki, Mare of Easttown, The Underground Railroad, WandaVision and The White Lotus.

“It’s been a fantastic year for sound and we look forward to celebrating the incredible work sound editors have performed for movies, television, games, documentaries and other creative media last year,” said MPSE president Mark Lanza. “We are excited this year to recognize Ron Howard with our Filmmaker Award and Chic Ciccolini as our Career Achievement recipient. Building on the success of our first-ever virtual ceremony last year, we are planning an even more spectacular night of fun, surprises and great achievements in sound.” 

The MPSE Golden Reel Awards recognize outstanding achievement in sound editing in 17 categories encompassing feature films, television, animation, computer entertainment, and student work. This year, the awards ceremony will be held as an international virtual event on Sunday, March 13, 2022.

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

Dune
Warner Bros.
Dialogue Editor: David Bach
Last Night in Soho
Universal Pictures
Supervising Sound Editors: Dan Morgan, Julian Slater MPSE
Supervising ADR Editor: Dan Morgan

The Matrix Resurrections
Warner Bros.
Supervising Sound Editors: Stephanie Flack, Dane A Davis MPSE
Dialogue Editors: Marek Forreiter, Benjamin Hörbe, Dominik Schleier, Immo Trümpelmann

Nightmare Alley
Searchlight Pictures
Supervising Sound Editor: Jill Purdy MPSE
Supervising Dialogue Editor: Jill Purdy MPSE
Supervising ADR Editor: Jill Purdy MPE
Dialogue Editor: Nelson Ferreira MPSE

No Time to Die
Universal Pictures
Supervising Dialogue & ADR Editors: Becki Ponting, Michael Maroussas
Dialogue Editors: Rachael Tate MPSE, Adele Fletcher
Supervising Sound Editor: Oliver Tarney MPSE

The Power of the Dog
Netflix
Supervising Dialogue & ADR Editor: Leah Katz

A Quiet Place Part II
Paramount Pictures
Supervising Sound Editor: Ethan Van der Ryn
Supervising Dialogue & ADR Editors: Vanessa Lapato, Nancy Nugent
Dialogue Editor: Matt Cavanaugh MPSE

The Tragedy of Macbeth
Apple TV+
Supervising Sound Editor: Skip Lievsay
Supervising Dialogue Editor: Michael Feuser

Outstanding Achievement in Sound Editing – Feature Effects / Foley

Belfast
Focus Features
Sound Designer: James Mather
Sound Editor: Tomas Blazukas
Foley Editor: Arthur Grayley
Foley Artists: Sue Harding, Oliver Ferris

Dune
Warner Bros.
Supervising Sound Editors: Theo Green, Mark Mangini MPSE
Sound Designer: Dave Whitehead
Sound Effects Editors: Phil Barrie, Lee Gilmore MPSE, Greg Ten Bosch MPSE, Robert Kellough MPSE,
Piero Mura
Foley Editor: Christopher Bonis
Foley Artists: Andy Malcolm, Goro Koyama, Sandra Fox

The Matrix Resurrections
Warner Bros.
Supervising Sound Editors: Dane A. Davis MPSE, Stephanie Flack
Sound Effects Editors: Bryan O. Watkins, Jeremy Peirson, Markus Stemler, Michael Schapiro, Eric
Lindemann, Albert Gasser MPSE, Laurent Kossayan MPSE, Caron Weidner
Foley Editors: Frank Kruse, Kuen Il Song
Foley Artist: Daniel Weiss

Nightmare Alley
Searchlight Pictures
Supervising Sound Editor: Nathan Robitaille MPSE
Sound Effects Editor: Dashen Naidoo
Foley Editor: Chelsea Body
Foley Artists: Goro Koyama, Andy Malcolm

No Time to Die
Universal Pictures
Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
Sound Designers: Bryan Bowen, Eilam Hoffman
Sound Effects Editor: Dawn Gough
Foley Editor: Hugo Adams
Foley Artists: Sue Harding, Andrea King

A Quiet Place Part II
Paramount
Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl MPSE
Sound Designers: Malte Bieler, Brandon Jones
Sound Effects Editors: Chris Diebold, Matt Cavanaugh MPSE
Foley Editor: Jonathan Klein
Foley Artists: Steve Baine, Peter Persaud

Spider-Man: No Way Home
Sony Pictures
Supervising Sound Editor: Steven Ticknor MPSE
Sound Designer: Anthony Lamberti

Outstanding Achievement in Sound Editing – Feature Music

Dune
Warner Bros.
Supervising Music Editors: Clint Bennett, Ryan Rubin
Music Editor: Peter Myles

Ghostbusters: Afterlife
Sony Pictures
Supervising Music Editor: Curt Sobel

In the Heights
Warner Bros.
Music Editors: Jim Bruening, Jennifer Dunnington, Ben Holiday

The Matrix Resurrections
Warner Bros.
Supervising Music Editor: Gabriel Isaac Mounsey
Music Editors: Hans Hafner, Jonathan Levi Shanes

Nightmare Alley
Searchlight Pictures
Music Editors: Clint Bennett, Kevin Banks MPSE
Scoring Editor: Cecile Tournesac

A Quiet Place Part II
Paramount
Music Editors: Jim Schultz, Nancy Allen MPSE, Del Spiva MPSE, Ramiro Belgardt

tick tick…BOOM!
Netflix
Music Editors: Nancy Allen MPSE, John Davis, Bri Holland

West Side Story
20th Century Studios
Music Editors: Joe E. Rand, Ramiro Belgardt
Scoring Editor: David Channing

Outstanding Achievement in Sound Editing – Feature Animation

Encanto
Walt Disney Animation Studios
Supervising Sound Editor: Shannon Mills
Supervising Dialogue Editor: Brad Semenoff MPSE
Sound Designer: Nia Hansen
Sound Effects Editors: Samson Neslund, Justin Doyle, Cameron Barker, Qianbaihui Yang MPSE
Dialogue Editor: Richard Quinn
Foley Editor: Alyssa Nevarez
Foley Artists: John Roesch MPSE, Shelley Roden MPSE
Supervising Music Editor: Earl Ghaffari
Music Editors: Angie Rubin, Kendall Demarest MPSE

Luca
Pixar Animation Studios
Supervising Sound Editors: Chris Scarabosio, André Fenley
Supervising Dialogue Editor: Rich Quinn
Supervising Foley Editor: Ronni Brown
Sound Effects Editors: Justin Doyle, Pascal Garneau
Foley Editor: E. Larry Oatfield
Foley Artists: Jana Vance, Ronni Brown
Music Editor: Lodge Worster

The Mitchells vs. the Machines
Sony Pictures Animation
Supervising Sound Editor: Geoffrey G. Rubay
Supervising ADR Editor: James Morioka
Sound Designer: John Pospisil
Sound Effects Editors: Kip Smedley, Andy Sisul MPSE, Alec G. Rubay, Dan Kenyon, Greg Ten Bosch MPSE
ADR Editor: Curt Schulkey
Foley Artist: Gregg Barbanell MPSE
Foley Artist: Rick Owens MPSE
Music Editors: Dominick Certo MPSE, Barbara McDermott

Raya and the Last Dragon
Walt Disney Animation Studios
Supervising Sound Editor: Shannon Mills
Supervising Dialogue Editor: Brad Semenoff MPSE
Sound Designer: Nia Hansen
Sound Effects Editors: Samson Neslund, David C. Hughes, Cameron Barker
Foley Editors: Chris Frazier, Steve Orlando
Foley Artists: John Roesch MPSE, Shelley Roden MPSE
Supervising Music Editor: Jim Weidman
Music Editor: David Olson

Sing 2
Illumination / Universal Pictures
Supervising Sound Editor: Dennis Leonard
Supervising Dialogue Editor: Jonathan Greber
Supervising ADR Editor: Daniel Laurie
Sound Designer: Josh Gold
Sound Effects Editors: Lucas Miller, Benjamin A. Burtt
Foley Editors: Shaun Farley MPSE, Jonathon Stevens
Music Editors: Michael Connell, Charles Inouye

Outstanding Achievement in Sound Editing – Feature Documentary

Billie Eilish: The World’s a Little Blurry
Apple TV+
Supervising Sound Editor: Richard Yawn MPSE
Music Editor: Michael Brake MPSE
Dialogue Editor: Rob Getty MPSE
Sound Effects Editor: Steven Avila MPSE
Foley Editor: Shawn Kennelly
Foley Artists: Melissa Kennelly, Vince Nicastro

Flee
NEON
Supervising Sound Editor: Edward Björner
Dialogue Editor: Jens Johansson
Sound Designer: Fredrik Jonsäter
Foley Artists: Rune Van Deurs, Bengt Öberg

The Rescue
Disney+
Supervising Sound Editor: Deborah Wallach
Sound Effects Editor: Roland Vajs
Foley Artist: Nuno Bentro
Music Editor: Ben Smithers

Summer of Soul (or, when the Revolution Could Not Be Televised)
Hulu
Supervising Sound Editor: Joshua L. Pearson
Supervising Music Editor: Jimmy Douglass

VAL
Amazon Prime
Supervising Sound Editor: John Bolen
Dialogue Editor: John Bolen
Sound Effects Editor: John Bolen
Foley Editor: John Bolen

The Velvet Underground
Apple TV+
Supervising Sound Editor: Leslie Shatz
Music Editor: Jahn Sood

Outstanding Achievement in Sound Editing – Foreign Language Feature

Cliff Walkers
Viki
Supervising Sound Editors: Yang Jiang MPSE, Zhao Nan MPSE
ADR Editor: Li Xinghui
Foley Artist: Han Junsheng
Sound Editors: Ann Scibelli, Xiao’ou Olivia Zhang MPSE, Iain Pattison
The Hand of God
Netflix
Supervising Sound Editor: Silvia Moraes

A Hero
Amazon Prime
Supervising Sound Editor: Mohammadreza Delpak
Dialogue Editor: Mohammadreza Delpak
Sound Effects Editor: Mohammadreza Delpak

Titane
Amazon Prime
Sound Editor: Séverin Favriau
Foley Artist: Céline Bernard

A Writer’s Oddyssey
Netflix
Supervising Sound Editor: Xiao Sha Liu
Supervising ADR Editor: Xiao Sha Liu
Sound Designer: Gang Wang
Sound Effects Editors: Shuang Shuang Wang, Hong Rui Ji, Gang Wang, Ruo Qi Mo, Tobias Poppe, Zi Jian
Jiang
Dialogue Editor: Zi Jin
Foley Editor: Pei Ya Zhang
Foley Artists: Zi Wei Wang, Yin Miao
Music Editor: Fei Yu

Outstanding Achievement in Sound Editing – Animation Series or Short

Jurassic World – Camp Cretaceous: “Eye of the Storm”

Netflix

Supervising Sound Editor: Rob McIntyre MPSE

Sound Designer: Evan Dockter

Sound Effects Editors: Marc Schmidt, D.J. Lynch

Dialogue Editor: Anna Adams

Foley Editor: Aran Tanchum

Foley Artists: Ezra Walker, Vincent Guisetti

Love, Death + Robots: “Snow in the Desert”

Netflix

Supervising Sound Editor: Brad North MPSE

Sound Designer: Craig Henighan MPSE

Foley Editors: Jeff Gross, Dawn Lunsford

Foley Artist: Alicia Stevens

Music Editor: Jeff Charbonneau

Star Trek: Lower Decks: “Strange Energies”

Paramount+

Supervising Sound Editor: James Lucero

Sound Effects Editors: James Singleton, Mak Kellerman

Dialogue Editor: Michael LaFerla

Foley Artist: Michael Britt

Star Wars: Visions: “The Duel”

Disney+

Supervising Sound Editors: David W. Collins, Matthew Wood

Sound Designer: David W. Collins

Sound Editor: Luke Dunn Gielmuda

Foley Artist: Jana Vance

Star Wars: The Bad Batch: “Reunion”

Disney+

Supervising Sound Editor: Matthew Wood

Sound Designer: David W. Collins

Sound Editor: David W. Collins

Foley Editor: Frank Rinella

Foley Artist: Kimberly Patrick

Star Wars: A Galaxy of Sounds: “Excitement”

Disney+

Supervising Sound Editor: David W. Collins

Sound Designers: Ben Burtt, David Acord, Ren Klyce, Tim Nielson, Chris Scarabosio, Tom Bellfort, Sam Shaw, Gary Rydstrom MPSE

Sound Editor: Matthew Wood

Outstanding Achievement in Sound Editing – Limited Series or Anthology

The Book of Boba Fett                              

Disney+

Supervising Sound Editors: Matt Wood, Bonnie Wild

Sound Designer: David Acord

Sound Effects Editor: David Collins

ADR Editors: Angela Ang, Ryan Cota

Foley Editor: Alyssa Nevarez 

Foley Artists: Ronni Brown, Andrea Gard, Sean England, Margie O’Malley

Loki: “Journey Into Mystery”

Disney+

Supervising Sound Editors: David Acord, Matthew Wood

Sound Effects Editors: Kyrsten Mate MPSE, Adam Kopald

Supervising Dialogue Editor: Steve Slanec

ADR Editor: Brad Semenoff MPSE

Sound Designer: David Farmer MPSE

Foley Editor: Joel Raabe

Foley Artists: Shelley Roden MPSE, John Roesch MPSE

Supervising Music Editor: Anele Onyekwere

Music Editors: Nashia Wachsman, Ed Hamilton

Mare of Easttown: “Illusions”

HBO Max

Supervising Sound Editor: Bradley North MPSE

Dialogue Editor: Tiffany S. Griffith

Sound Effects Editor: Jordan Wilby MPSE

Foley Editor: Antony Zeller MPSE

Foley Artist: Zane Bruce

Music Editor: Stephanie Lowry

The Underground Railroad: Chapter 9: “Indiana Winter”

Amazon Prime

Supervising Sound Editor: Onnalee Blank MPSE

Sound Designers: Jay Jennings, Harry Cohen MPSE

Sound Effects Editor: Luke Gibleon

Dialogue Editors: Chris Kahwaty MPSE, Katy Wood

ADR Editor: Bryan Parker MPSE

Foley Editors: Pietu Korhonen, Lars Halvorsen

Foley Artist: Heikki Kossi MPSE

Music Editor: John Finklea

Wandavision: “The Series Finale”

Disney+

Supervising Sound Editors: Gwen Whittle MPSE, Kimberly Foscato

Sound Designer: Steve Orlando

Sound Effects Editors: Scott Guitteau, Jon Borland, Samson Neslund, Richard Gould

Supervising Music Editor: Anele Onyekwere

ADR Editors: James Spencer, Chris Gridley

Foley Editor: Luke Dunn Gielmuda

Music Editors: Fernand Bos MPSE, Tom Kramer

Foley Artists: Ronni Brown, Shelley Roden MPSE, John Roesch MPSE

The White Lotus

HBO Max

Supervising Sound Editor: Kathryn Madsen MPSE

Supervising Dialogue Editor: Paul Hammond

Sound Effects Editor: Mark Allen MPSE

Foley Artist: Stefan Fraticelli

Music Editor: Mikael Sandgren

Outstanding Achievement in Sound Editing – Non-Theatrical Animation

Arcane – League of Legends: “When These Walls Come Tumbling Down”

Netflix

Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE

Supervising Music Editor: Alexander Temple

Supervising ADR Editor: Shannon Beaumont

Foley Editor: Alexander Ephraim MPSE

Foley Artists: Dan O’ Connell, John Cucci MPSE

Music Editor: Alex Seaver

Lego Star Wars: “Terrifying Tales”

Disney+

Supervising Sound Editors: David W. Collins, Matthew Wood

Sound Designer: David W. Collins

Sound Editors: Justin Doyle, Bonnie Wild

Foley Editor: Frank Rinella

Foley Artists: Kimberly Patrick, Andrea Gard

Maya and the Three: “Chapter 9: The Sun and the Moon”

Netflix

Supervising Sound Editor: Scott Martin Gershin MPSE

Sound Designers: Chris Richardson, Andrew Vernon MPSE

Sound Designer: Scott Martin Gershin MPSE

Sound Effects Editors: David Barbee MPSE, Masanobu “Tomi” Tomita

Foley Artist: Dan O’Connell

Music Editor: Andres Locsey

What if…Doctor Strange Lost His Heart Instead of His Hands?

Disney+

Supervising Sound Editor: Mac Smith

Sound Effects Editors: Bill Rudolph, Alyssa Nevarez 

Dialogue Editor: Cheryl Nardi

Supervising Music Editor: Anele Onyekwere

Music Editor: Tom Kramer

Foley Artists: John Roesch MPSE, Shelley Roden MPSE

White Snake 2: “The Tribulation of the Green Snake”

Netflix

Supervising Sound Editor: Gary Chen

Sound Designer: Gary Chen

Sound Effects Editors: Wang Shuangshuang, Gary Chen, Mango Mok, Ji Hongrui, Irene Sun, Qiu Yi

ADR Editors: Listen Zhang, Liu Huizhe

Foley Editors: Liu Huizhe, Cui Lin

Foley Artist: Wang Ziwei, Miao Yin, Zhang Jindong, Xin Shengnan

Outstanding Achievement in Sound Editing – Non-Theatrical Documentary

1971: The Year That Music Changed Everything: “Episode 1”

Apple TV+

Supervising Sound Editors: Andy Shelley, Stephen Griffiths

Sound Effects Editors: Tae Hak Kim, Justin Dolby

Dialogue Editor: Claire Ellis

Foley Editors: Adam Oakley, Paolo Pavesi

Music Editors: Dan Johnson, Nas Parkash

Foley Artists: Zoe Freed, Rebecca Heathcote

The Beatles Get Back: “Part 3”

Disney+

Supervising Sound Editors: Brent Burge, Martin Kwok

Sound Editors: Matt Stutter MPSE, Buster Flaws, Melanie Graham

Dialogue Editor: Emile De La Rey

Music Editors: Steve Gallagher MPSE, Tane Upjohn-Beatson

Foley Editor: Michael Donaldson

Foley Artist: Simon Riley

Bob Ross: Happy Accidents, Betrayal & Greed

Netflix

Supervising Sound Editor: Trevor Gates

Dialogue Editors: Ryan Briley, Taylor Jackson

Sound Effects Editors: Paul B. Knox, Russell Topal MPSE, Mark Coffey

Foley Editor: Alex Jongbloed

Foley Artist: Tara Blume

Music Editor: Liam Rice

Exterminate All the Brutes

HBO / HBO Max

Sound Editors: Séverin Favriau, Emeline Aldeguer

Dialogue Editor: Daniel Irribaren

Foley Artist: Vincent Maloumian

Formula 1: Drive to Survive: “Down to the Wire”

Netflix

Supervising Sound Editors: Steve Speed, Nick Fry

Sound Effects Editor: Hugh Dwan

Sound Designer: James Evans

Dialogue Editor: Hugh Dwan

Life in Colour with David Attenborough: “Seeing in Color”

Netflix

Supervising Sound Editor: Wayne Pashley MPSE

Sound Effects Editor: Paul Fisher

Foley Artists: Jonathan Cawte, Andy Devine, Richard Hinton

Music Editor: James Dorman

McCartney 3, 2, 1

Hulu

Supervising Sound Editor: Jonathan Greber

Sound Editor: Leff Lefferts

Dialogue Editors: E. Larry Oatfield, Bjorn Ole Schroeder

Music Editor: Kim Foscato

Welcome to Earth

Disney+

Supervising Sound Editor: Jay Price

Sound Effects Editor: Jay Price

Dialogue Editor: Tom Foster

Foley Editor: Stuart Bagshaw

Music Editor: Ben Smithers

Outstanding Achievement in Sound Editing – Non-Theatrical Feature

Fear of Rain

Hulu

Supervising Sound Editor: David Barber MPSE

Foley Editor: David Kitchens MPSE

Sound Effects Editor: Ben Zarai

Sound Designer: David Barbee, MPSE

Foley Artist: Gonzalo “Bino” Espinoza

ADR Editor: Michael Kreple

Fear Street: “Part Two – 1978”

Netflix                                                                          

Supervising Sound Editor: Trevor Gates

Supervising Dialogue Editor: Jason Dotts

Sound Effects Editors: Matthew Thomas Hall, Russell Topal MPSE, Mark Coffey

Dialogue Editors: Kristen Hirlinger, Harrison Meyle

Foley Artist: Sandra Fox

Music Editor: Brett “Snacky” Pierce MPSE

The Ice Road

Netflix

Supervising Sound Editor: Trip Brock MPSE

Sound Designer: Charles Maynes MPSE

Supervising ADR Editor: Jacob Ortiz MPSE

Dialogue Editor: Jackie Johnson

Sound Effects Editors: Raymond Park MPSE, Demetri Evdoxiadis

Foley Artists: Lorita de la Cerna, G.W. Pope, III MPSE

Music Editor: Nicholas Fitzgerald

Infinite

Paramount+

Supervising Sound Editors: Mandell Winter MPSE, David Esparza MPSE

Sound Designer: Hamilton Sterling

Sound Effects Editor: Will Digby MPSE

Dialogue Editors: Micah Loken MPSE, Sang Kim

Foley Editor: Eryne Prine MPSE

Music Editor: Mark “Vordo” Wlodarkiewicz

Foley Artists: Dan O’Connell, John Cucci MPSE

Oslo

HBO Max

Supervising Sound Editor: Lewis Goldstein

Supervising ADR Editor: Gina Alfano MPSE

Sound Designer: Peter John Still

Sound Effects Editors: Alex Soto, Alfred DeGrand

Dialogue Editor: Thomas Ryan

Foley Editor: Wen Tseng

Foley Artists: Leslie Bloome, Joanna Fang

Outstanding Achievement in Sound Editing – ½ Hour – Comedy or Drama

Hacks: “There Is No Line”

HBO Max

Supervising Sound Editor: Brett Hinton

Sound Effects Editor: Marc Glassman MPSE

Dialogue Editor: Ryne Gierke

Foley Editor: Samuel Munoz

Foley Artist: Noel Vought

Music Editor: Jason Tregoe Newman

The Kominsky Method: “The Round Toes, of the High Shoes”

Netflix

Supervising Sound Editor: Lou Thomas

Sound Effects Editors: Mark Messick, TJ Jacques

Foley Editor: Clay Weber MPSE

Foley Artist: Sanaa Kelley

Mythic Quest: “Everlight”

Apple TV+

Supervising Sound Editor: Matthew E. Taylor

Sound Designer: Pete Nichols

Sound Effects Editor: Matthew Wilson

Dialogue Editor: Sean Heissinger

Foley Editor: David Jobe

Foley Artists: Elizabeth Rainey, Jody Holwadel Thomas

Music Editor: Joe Deveau

Only Murders in the Building: “The Boy From 6B”

Hulu

Supervising Sound Editor: Mathew Waters

Dialogue Editor: Danika Wikke MPSE

Sound Effects Editor: Meredith Stacy

Music Editor: Micha Liberman

Schmigadoon: “Suddenly”

Apple TV+

Supervising Sound Editor: Cormac Funge

Sound Effects Editor: Peter Nichols

Dialogue Editor: John Green

We Are Lady Parts: “Sparta”

Peacock                                                    

Supervising Sound Editor: Jay Price

Sound Editor: Tom Foster

Dialogue Editor: Dario Swade

Foley Editor: Sam Walsh

What We Do in the Shadows: “The Escape”

FX

Supervising Sound Editor: Steffan Falesitch

Sound Effects Editor: David Barbee MPSE

Dialogue Editor: Chris Kahwaty MPSE

Foley Editors: John Guentner, Sam Lewis

Foley Artist: Ellen Heuer

Music Editor: Steve Griffen

Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue / ADR

For All Mankind: “And Here’s to You”

Apple TV+                 

Supervising Sound Editor: Vince Balunas MPSE

Dialogue Editor: Vince Balunas MPSE

ADR Editor: Vince Balunas MPSE

The Handmaid’s Tale: “Vows”

Hulu

Supervising Sound Editor: David McCallum MPSE

Dialogue Editor: Krystin Hunter 

The Morning Show: “My Least Favorite Year”

Apple TV+

Supervising Sound Editor: Mark Relyea MPSE

Supervising ADR Editor: Julie Altus

Dialogue Editor: Robert Guastini MPSE

Supervising Dialogue Editor: Pernell Salinas

The Nevers: “Pilot”

HBO Max

Supervising Sound Editor: Tim Kimmel MPSE

Supervising ADR Editor: Tim Hands

Supervising Dialogue Editor: John Matter MPSE

Squid Game: “VIPS”

Netflix                                          

Supervising Sound Editors: Hye-Young Kang, Tae-Young Choi

Supervising ADR Editor: Byung-In Kim

Supervising Dialogue Editor: Eun-Ji Ye

Star Trek Discovery: “Kobayashi Maru”            

Paramount+

Supervising Sound Editor: Matthew E. Taylor

Supervising Dialogue Editors: Sean Heissinger, Cormac Funge

ADR Editor: Cormac Funge

Succession: “Secession”

HBO Max

Supervising Sound Editor: Nicholas Renbeck MPSE

Dialogue Editor: Michael Feuser

ADR Editor: Angela Organ

Ted Lasso: “Rainbow”

Apple TV+

Supervising Sound Editor: Brent Findley MPSE CAS

Dialogue Editor: Bernard Weiser MPSE

Crowd Editor: Kip Smedley

Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley

Foundation: “The Emperor’s Peace”       

Apple TV+

Sound Designer: Tyler Whitham MPSE

Sound Effects Editors: Paul Germann, Dave Rose

Foley Artist: Steve Baine

The Handmaid’s Tale: “Chicago”

Hulu                           

Supervising Sound Editors: Jane Tattersall MPSE, David McCallum MPSE

Sound Effects Editor: Brennan Mercer

Foley Editor: David Caporale

Foley Artist: Sandra Fox

Lost in Space: “Trust”

Netflix

Supervising Sound Editor: Branden Spencer MPSE

Sound Designer: Benjamin Cook MPSE

Sound Effects Editors: Shaughnessy Hare, Brendan Croxon

Foley Artist: Paul Pirola

Squid Game: “VIPS”

Netflix                                          

Supervising Sound Editor: Hye-Young Kang

Sound Designer: Ye-Jin Jo

Sound Effects Editor: Hye-Jin Yang

Foley Editor: Taek-Hyun Hong

Foley Artist: Chung-Gyu Lee

Star Trek Discovery: “Kobayashi Maru”

Paramount+

Supervising Sound Editors: Matthew E. Taylor, Michael Schapiro

Sound Designers: Harry Cohen MPSE, Katie Halliday MPSE

Sound Effects Editor: Andrew Twite

Foley Editor: Clay Weber MPSE

Foley Artists: Alyson Moore, Chris Moriana

Ted Lasso: “Beard’s Night Out”

Apple TV+

Supervising Sound Editor: Brent Findley MPSE CAS

Sound Effects Editors: Kip Smedley, Mark Cleary

Foley Editors: Jordan McClain, Arno Stephanian MPSE

Foley Artists: Sanaa Kelley, Matt Salib

The Witcher: “A Grain of Truth”

Netflix

Supervising Sound Editor: Matthew Collinge

Sound Designers: Rob Turner, Alyn Sclosa, Rob Prynne

Foley Editors: Adam Oakley, Rob Weatherall

Foley Artists: Zoe Freed, Rebecca Heathcote

Wu Tang: An American Saga: “Protect Ya Neck”

Hulu

Supervising Sound Editor: Thomas E. de Gorter MPSE

Sound Designer: Michael O’Conner

Foley Editors: Geordy Sincavage, Alex Jongbloed

Foley Artists: Tara Blume, Monique Reymond

Outstanding Achievement in Sound Editing – Series 1 Hour – Music

Cobra Kai: “The Rise”

Netflix

Music Editor: Andres Locsey

See: Rock-a-Bye

Apple TV+

Music Editor: Dan Farkas

Squid Game: “Red Light, Green Light”

Netflix

Music Editor: Jae-il Jung

Star Trek Discovery: “Kobayashi Maru”

Paramount+

Supervising Music Editor: Moira Marquis

Scoring Editor: Matea Prljevic

Ted Lasso: “Rainbow”

Apple TV+

Supervising Music Editor: Richard David Brown

Music Editor: Sharyn Gersh MPSE

The Witcher: “A Grain of Truth”

Netflix

Music Editor: Arabella Winter MPSE

Wu Tang: An American Saga: “Protect Ya Neck”

Hulu

Music Editor: Sebastian Zuleta