What you can’t see can hurt you.
Emmy winner Elisabeth Moss (Us, Hulu’s The Handmaid’s Tale) stars in The Invisible Man, a modern take on the Universal classic monster character with a clever, gender-flipped perspective. Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Moss) escapes in the dead of night and disappears into hiding, aided by her sister (Harriet Dyer, NBC’s The InBetween), their childhood friend (Aldis Hodge, Clemency) and his teenage daughter (Storm Reid, HBO’s Euphoria).
But when Cecilia’s abusive ex (Oliver Jackson-Cohen, Netflix’s The Haunting of Hill House) commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turns lethal, threatening the lives of those she loves, Cecilia’s sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see.
The Invisible Man is written, directed and executive produced by Leigh Whannell. The film is produced by Jason Blum for Blumhouse Productions, Kylie du Fresne (Upgrade, The Sapphires) for Goalpost Pictures. The executive producers are Whannell, Beatriz Sequeira, Charles Layton, Rosemary Blight, Ben Grant, Couper Samuelson and Jeanette Volturno. The Invisible Man is a co-production of Goalpost Pictures Australia and Blumhouse Productions, in association with Nervous Tick, for Universal Pictures.
After mining huge box office success with Get Out and Us in late February, Universal Pictures will release The Invisible Man on February 28, 2020.
The idea of a prequel is one that has always baffled me. Why does this… Read More
Leslie Odom, Jr. in ‘Purlie Victorious: A Non-Confederate Romp through the Cotton Patch’ (Music Box… Read More
FX confirmed yesterday that it has plans on moving forward with Shōgun as a drama… Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt… Read More
To say that films are the stuff that dreams are made of, could be true… Read More
Premiering in the Cannes Classics section of the fest’s 77th edition, FAYE, Laurent Bouzereau’s documentary… Read More
This website uses cookies.