Emmy Podcast #11: TV Movies and Limited Series’ Take the Front Seat with special guest Todd VanDerWerff

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In our first Emmy podcast for the 2015/2016 television season, I am joined by Vox.com’s Culture Editor Todd VanDerWerff for a deep dive into this year’s Emmy predictions.

With TV Movies, Miniseries and Limited Series dominating the attention and airwaves for the last couple of years (this year in particular) the majority of our conversation circulates around these categories. American Crime, American Horror Story Hotel, The People v O.J. Simpson: American Crime Story, Fargo, Roots, Show Me a Hero…all worthy contenders vying for spots.

We end with the state of Drama and Comedy Series and how streaming has become the norm for nominations and could it keep going? Will Hulu join Netflix and Amazon to continue pushing out network and cable?

Will the Emmys FINALLY embrace The Americans outside of Margo Martindale? The Leftovers? What about Better Call Saul – was the first season nom haul just Breaking Bad runoff or will its second season earn them on its own?

Find out, on the AwardsWatch Emmy Podcast.

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Critics Choice Association (CCA), San Francisco Bay Area Film Critics Circle (SFBAFCC) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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